Silks and Cottons and Fluff, Oh My

One side effect of designing (and I’m not altogether sure yet whether it’s a perk or a downside) is that practically any purchase of stash can be excused by being “for a new design”, or “for inspiration”. I’m sure stash manages to multiply by using us poor embroiderers as their hosts, although on the whole I think the relationship is symbiotic rather than parasitic smiley. And of course if we weren’t such accommodating hosts, many threads would not survive; even with our concerted efforts, over the past decade we have lost Pearsall’s Filoselle and Filofloss, Eterna silk, Vicky Clayton’s Hand-Dyed Fibers and Carrie’s Creations, to name but a few. But fortunately Caron is still going strong, and I have helped ensure its survival for a bit longer by ordering this lovely lot of Soie Cristale.

My new Caron silks

I spent a few very pleasant evenings winding them all on bobbins and arranging them in a thread box. Don’t they make a pretty sight?

Soie Cristale all wound and boxed

You may remember that recently I did my bit to keep Rainbow Gallery going as well; partly stocking up on silks for the Quatrefoil kits, but also to fill in some colour gaps in my collection. Some of those silks I used last week in a little experiment: one of the small Hope rainbows in pastels.

Mini Hope rainbow in pastel shades

I’ve stitched that size rainbow several times now, but usually in much brighter shades; sometimes in standard DMC perles, sometimes (which I like even better) using Caron’s overdyed Watercolour threads.

A birthday rainbow An overdyed rainbow

The first mini rainbows were done on light blue fabric (above right), but once I tried them on the denim-coloured fabric there was no turning back – the contrast with the thread colours, whether pastel or bright, is just so much more attractive. Another change is in the cloud: as you can see the fluffy frill is stitched in different threads. On the earlier mini rainbows (like the one on light blue fabric) it is worked in Rainbow Gallery Wisper, which is quite thin; I thought it would work better than the much chunkier Angora used in the larger Hope designs. But having used Angora on the smaller rainbows a few times (for example in the pastel version and the birthday card above) I found I liked the effect much better, and it is also a little easier to use, so better for my next plan: rainbow kits!

I have yet to decide on all the particulars, but I couldn’t resist supporting Rainbow Gallery and Caron a bit more by stocking up on Angora and Watercolours…

Rainbow Gallery Angora Materials for a rainbow kit

As I’m working out materials and writing instructions, all sorts of ideas are swirling in my head: should the pastel silk one become a kit too? And should the kit perhaps come with a display hoop (red for the bright version, wood grain effect for the pastel one)? Let me know what you think!

A Hope ornament

Rainbow choices and a mystery

My rainbow is growing apace! Apart from a couple of evenings this week when we have other things on, I’ve been stitching a band a night, and I like how it’s developing. There have been a few decisions to take along the way, though – not quite the relaxed just-get-on-and-stitch project I first had in mind – but that is part of any project that will eventually become a chart pack or kit. And in a way it makes me concentrate more on the design and how I want it to look.

I wrote earlier about backstitch versus cable stitch in the red band; and for the orange band I had to choose between plain and reverse chain stitch (I went for the latter – easier to start a new thread mid-line). The yellow band threw up another decision; in my provisional notes I’d put it down as diagonal satin stitch, which would mean gradually changing the stitch direction to compensate for the curve. Not impossible of course, but not very relaxed either, and I did want to try and keep it relatively simple. Straight satin stitch then? You’d still need to adjust the stitch direction, but it’s definitely easier than in the diagonal version. Unfortunately that wasn’t the effect I wanted, and anyway I suspected that both diagonal and straight satin stitch throughout would look too solid, with too little texture. In the end I went for blocks of diagonal satin stitch alternating in direction. But would it need a split stitch outline? I started one just in case.

A provisional split stitch edge

The split stitch looked rather messy – I don’t really like doing split stitch in more than a single strand – so I started from the other end of the band without split stitch, tucking the ends under the previous band on one side, and knowing they’d be covered on the other side by the next band. And it looked just fine. Good, I’m all for simplifying things! The incipient line of split stitch was unpicked and the whole band worked without it; split stitch may make an appearance as a proper filling stitch in the smaller version worked in an indivisible thread, but here it isn’t needed.

Alternating satin stitch without a split stitch edge The yellow band finished

The green band, in stem stitch, posed no problem. The blue band, to compensate for this, threw up two.

First dilemma: fly stitch or Cretan? To begin with I was almost certain I’d go for fly stitch, then I doodled both and suddenly I wasn’t so sure. They both looked rather fun!

Fly stitch versus Cretan stitch

After discussing both options with my husband I decided to stick with fly stitch after all; much though I like Cretan stitch, I felt that (in contrast to the original satin stitch band idea) it has too much texture – a bit too fussy for this project. OK, fly stitch. But…

… in which blue? From a practical point of view it makes sense to stick with one brand of silk throughout, but the Splendor blue was a bit lighter than I’d like and the only darker blue of the right sort came from my collection of Caron Soie Cristale.

Which blue to choose

Rainbow Gallery’s Splendor silk is a 12-stranded silk in a slightly unusual distribution: it consists of three “bundles” of four strands. There are other silks on the market which use the same distribution (Crescent Colours Belle Soie, Gloriana Silk Floss and Thread Gatherer Silk ‘n Colors) and their weight too is pretty much identical, so I’ve long suspected they are really exactly the same silk marketed by four different companies. Ideally, then, I’d find a darker blue in my stash of these brands, but I have a fairly limited selection and moreover they are all overdyed or variegated threads rather than the solid blue I was looking for.

Caron Soie Cristale seemed a good alternative as it is also a 12-stranded thread, although not of the 3×4 type, and the individual strands are of a similar weight to Splendor and its doppelgangers. I cut a length of the darker blue, stripped four strands from it, got ready to thread them, and realised that the four strands together were noticeably thinner then the four strands of Splendor I’d been using. On closer inspection, the thread turned out to consist of 16 thinner strands. Had I misremembered the strand count and weight of Soie Cristale? I checked four or five other bobbins and this is the only Soie Cristale I have which has 16 thinner strands. I am puzzled.

The rogue thread, standard Soie Cristale and Splendor

Oh well, we work with what we have. Six strands of this rogue blue looked to have about the same bulk as four strands of the Splendor, so I got to work with that. Having struggled with six rather wayward strands for several hours I am happy with the look of the stitch, but the colour seems rather dark. Perhaps with hindsight my original Splendor blue would have been better. Unpick it all? That’s a bit drastic. I’ll see if it’s grown on me by the time my next stitching session comes around…

The blue band finished

By the way, exciting news – I’ve got a Certificate class booked at Rugby! Next Wednesday I hope to make a start on mounting the Jacobean tree, and going over my paperwork with Angela.