Shops, ducks and snow

Do you recognise the feeling that a day after returning from holiday it is hard to remember that you were on holiday? Fortunately I took plenty of pictures to remind me of all the lovely things we’ve seen and done over the past week while we were in the Scottish Borders.

From a stitcher’s point of view, some of the most memorable things were the pieces of needlework that we found scattered around various museums and stately homes – including a beautifully embroidered waistcoat that was never put together, some lovely colourful beadwork, a multiplication table sampler worked by a six-year-old girl in mind-bogglingly small cross stitches, and the tiniest cutwork baby’s cap that I have ever seen. It’s a shame (though understandable) that I couldn’t take photographs of those items.

Before going I’d also done my homework and had pinned down two shops I wanted to visit. One was The Grassmarket Embroidery Shop in Edinburgh, which according to its website carries a good selection of speciality threads and other delectable goodies; the other was The Haberdashery & Craft Shop, which calls itself the smallest shop in Alnwick. Edinburgh came first, so after a lovely walk through Princes Gardens and around the town I dragged – I mean, gently led – my husband to the Grassmarket, and started looking for number 19. I found number 19. This is what it looked like.

No needlework shop where one should have been

We asked in the Milk Bar, and they told us that the lady running the shop retired last April. Oh well. There were plenty of other things to see in Edinburgh …

In Alnwick I did find the shop in question, and yes, it was tiny! Lots of Texere threads with interesting colours and textures, but not really suitable for my sort of needlework. Lovely to see them, though! My husband then found out from the wool shop next door that in a nearby street there was a needlework shop having a closing down sale. Aren’t husbands wonderful? It is always sad to see a LNS closing down, but as there was very little I could do about that I thought I might as well see if there was anything interesting in the sale. Some useful fabric was, alas, not included, but I did find Mill Hill beads at 60p, Kreinik braid at 60p, Au Ver a Soie metallic at 60p, perle cotton at 61p, and some Caron threads at 75p – I was very pleased with my bargain!

Result of a closing down sale in Alnwick

While in Alnwick we visited the Garden, too. We gave the Castle a miss, having heard from several people that it was rather overpriced, and definitely the lesser option of the two. Anyway, the weather was lovely and so being outside in a garden with lots of water features sounded very attractive. We’d bought some lunch at the farmers’ market, and after a while decided to sit down in the shade of some trees overlooking a rather magnificent duck pond (with an oriental pagoda duck pavillion) to have a bite to eat. The ducks thought this was a marvellous idea, and before we knew it we were practically trampled underfoot by various assorted waterfowl including some impossibly cute and fluffy ducklings. One kept running under my skirt and out between my feet. Fluffy ducklings tickle terribly when they do that. Trust me.

Coming for lunch Is there anything under that skirt? Ducklings tickle the toes

When we got home, I had another stitching treat – my order from Margaret at the Little Thread Shop had arrived, without my having to pay import duties or Royal Mail’s extortionate handling fee this time! 11 skeins of Caron Snow for about 2/3 the English price; and don’t they add a bit of sparkle to the day!

Caron Snow from Margaret's Little Thread Shop

And now it’s back to work, the day job as well as Mabel’s Fancies; I did hardly any stitching while on holiday, so I’ve got to finish a few projects before the next Counted Wishes Festival, and of course it’s nearly August, and time for another instalment of the Song of the Weather SAL; some stitch photographs still needed for the SAL blog. Isn’t it good to know that I won’t be bored this summer?

Stitcher’s annoyance and stitcher’s delight

Well! I mean, well!

Last night we were watching an Antiques Roadshow we’d recorded some time ago, and it featured not one but two very interesting pieces of embroidery – a pleasant surprise to any avid needleworker as our hobby doesn’t feature that frequently. One was a stunning piece of 3D whitework (the ears of corn have to be seen to be believed, and I would love to see it in real life and, if at all possible, to touch it and study the texture), the other a centuries-old WIP (Work In Progress), although time and circumstances had turned it into a UFO (UnFinished Object). It was still stretched on its frame, half completed, and with what looked like water damage. Did the unfortunate needlewoman spill her dainty cup of China tea all down one side of her work, and give it up as a lost cause? It was intriguing.

So why the indignation at the start of this post? Because when the expert had explained to the owner who might have done this type of embroidery and when and how fine it was and so on, the owner asked The Question That Must Not Be Asked: “So what was it for?” The lady who worked this particular piece of embroidery is long beyond being irritated by such insensitive enquiries, but I uttered a sharp “tut” on her behalf, much to my husband’s amusement.

My stitcher’s delight came (besides from seeing these two beautiful projects) from working with Bradley’s Balloons. What I love about it is that its variegation is very sudden – no long stretches of a single colour, but quick changes, so that practically no two consecutive Kloster blocks are the same. Perhaps I am to easily pleased, but I really find it very cheering smiley. Be honest, what stitcher could fail to smile at this:

Coloured Kloster blocks in Windmills

The development of a windmill

Earlier this week I finally decided which Sparklies fabric to use for Windmills – the lighter of the two, called Summer Skies. I’d also finished work on the Stitcher’s Set, and had got as far as I could on the speciality version of the August SAL before I need to take stitch progress pictures for the blog. As several of the stitches in it require two hands to demonstrate, it’ll have to wait until my husband has the time to exercise his photographic skills, probably this weekend. So until then I am free to finally have a go at Windmills, which meant getting out the chart from my design folder. As I looked at it, with my original specifications, I noticed three things: Windmills has been through quite a few changes; it needs a few more; and it uses beads, which I’d forgotten to consider when picking Threadworx Bradley’s Balloons for my thread.

For one thing, Windmills actually started out much squarer than it is now; in fact it consisted of four squares off-set with triangular cut areas on both sides. At that stage I don’t think it was called Windmills yet. I can’t quite remember why I removed one of the cut areas in each square, but when I did it definitely looked like a toy windmill. It was then that I added the small windmills and the streamers.

First version of Windmills Second version of Windmills

According to my notes I originally thought of stitching the whole design in Caron Moonglow, an extremely pale blue, on Sparklies Ink (the fabric that I used for the smaller Frozen Flower). I then changed to Caron Firecracker on some sort of sky blue fabric. It wasn’t until a kind lady at West End Embroidery got me really interested in Threadworx perles that I finally decided on the very bright and cheerful Bradley’s Balloons.

But one thing I hadn’t considered was the beads. Originally (at the pale-blue-on-dark-fabric stage) I’d specified bright white beads. Would that still work? Perhaps it needed something that reflected the highly variegated and multicoloured thread. For a brief moment I toyed with Mill Hill’s Rainbow beads, black with shimmering oil-on-water colours. But it might be too much of a good thing – probably better to have a fairly neutral bead with all those dazzling colours already going on. So back to bright white. Then, as I was going through my watchmaker’s tins of beads, I came across a shade called Crystal Blue. It turned out to be a sparkly, slightly darker version of the blue in my fabric. All right then, a combination of white and blue beads to pick up on the fluffy-clouds-against-a-summer-sky background.

There was one more thing. It was all very colourful, but I felt it needed at least one part that was a bit less exuberant. What about the central bit of the design? Why not turn that into the tack or screw that attaches the toy windmill to its stick? If I used white for the outline and black or dark brown for the inner bit, that would give the design a clearer centre, somewhere for the eye to focus. I redrew the chart, hopefully for the last time.

Final version of Windmills

And now I’m ready to stitch!

Materials for Windmills

Walking with Windmills

No, it’s not the Dutch version of Walking with Dinosaurs – it’s an old Dutch saying (this reminds me terribly of the television series “To the Manor Born”, where the aged mother of one of the main characters used to preface many of her remarks with “we have a saying in old Czechoslovakia”, said in a strong Eastern European accent. But I digress). Walking with windmills, or “met molentjes lopen”, means to be a bit batty. But before you start worrying about Mabel’s sanity, let me put your mind at rest; I was merely reminded of this saying because I am trying to decide which fabric to use for Windmills. I’m hoping to start stitching the model when I’ve finished work on Three of Diamonds and Badges, and I’m really looking forward to it!

When I designed Windmills I intended to use a hand-dyed fabric, probably very light blue and white, to look like a summer sky with fluffy clouds (known in the Old Country as sheep clouds). I’d also picked a thread – Caron 154 Firecracker, a striking and rather patriotic red white & blue. Unfortunately when I got the thread it wasn’t quite what I had expected; the colours weren’t as disctinct as I’d hoped, so there was some slightly muddy purple between the red and blue. It’s a perfectly good thread and I’ll use it one day, but not for Windmills.

I put the design on the back burner for the time being, thinking a suitable thread would turn up some time. And it did. It’s a Threadworx perle called Bradley’s Balloons and you need sunglasses to work with it. It is bright, it is bold, it is brilliant, and when you first see it you wonder what on earth you could use it for. I love it, and I think it will be just perfect for Windmills; those little toy windmills you used to get on the beach were never very subtly coloured either, were they?

So now I just need to decide on the fabric. There are two candidates, both from Sparklies: a medium/light blue called Caribbean Blue, and a light blue/white called Summer Skies. Going by the names of course the latter seems the obvious choice, but I do like the richer blues in the other one. The thread seems to go well with either of them:

Two options for Windmills

For the moment I’ll leave both fabrics out with the threads on top, so I see them every time I walk past the dining table (where a lot of my stitching stuff lives – which reminds me we’ve got friends coming to dinner next week so I’d better do some tidying up!) in the hope that eventually one of the combinations will show itself to be The Right One. Or I may just have to stitch it twice …

Storing stash

Victory! I have finally wound all the Caron threads and other perles into submission. The next problem was deciding where to store half a dining table full of bobbins. Until now, all my Caron thread have been living in the top half of my dragonfly thread box; the bottom half, which isn’t divided into little compartments, held my #12 perles, some scissors, and a few spare white and cream perles. I decided to get two bobbin boxes, like the ones you use for stranded cotton, thinking that would be plenty – but they were smaller than I thought, and definitely smaller than the thread box.

There was another consideration; I wanted to try and keep the Caron threads together as much as possible. Ideally I’d like to keep all my threads together, but that’ll have to wait until I have my own craft room. For the moment they are rather scattered around the house, although I’m trying to keep certain brands or types of threads together. One thing that helped was the narrow chest of drawers which eldest son decided he didn’t want to take with him when he left home, and which I have now confiscated. It’s not perfect, the drawers are rather too deep, but it holds my fabrics, stock of squissors and coasters, finishing items, stitched models and some threads in a reasonably accessible way.

So here is how my Hardanger threads are now stored (there is quite a collection of other threads as well, but we’ll ignore those for the moment; let’s not complicate matters unnecessarily!) – to begin with, a box (decorated with Little House Needleworks’ “Necessities Sampler” on the lid) holding my balls of perle #12 and spare skeins of white, antique white and cream perle #5. It sits on top of the record player in the sitting room. I forgot to take a picture of its present contents, but here is a small photograph of the box:

Decorated box

My standard perle #5 are all cut into 1-yard lengths and attached to small wooden rings, then to larger metal rings according to colour. They are kept in a stackable plastic box. Two identical boxes hold my balls of perle #8. The three boxes are stacked in the bottom drawer of the chest of drawers, which lives upstairs in one of the bedrooms.

Standard perles on a system of rings and in stackable boxes

Anchor and DMC variegated perle #5, House of Embroidery and Threadworx perles likewise reside on rings in pre-cut lengths. They are kept in a box given to me some time ago by a kind friend who was looking for a good home for it. It has a tapestry top and is kept underneath a spare chair in the dining room.

Variegated and hand-dyed perles on a system of rings

Any other hand-dyed or silk perles, or other silks suitable for Hardanger, are wound on bobbins and kept in a standard plastic bobbin box. This holds Dinky Dyes, Weeks Dye Works, Treenway, Gloriana, Kacoonda, Vineyard and some one-offs, plus my Caron Snow threads (for reasons which will become clear in a little while). It sits on top of the tapestry box.

Hand-dyed and silk perles in a bobbin box

And finally, the dragonfly box. I estimated that it was probably just about big enough to hold all my Caron except the Snow threads, if I packed them in fairly tight. It is. Just. I think there is probably room for another 4 or 5 bobbins, so my future purchases will have to be carefully considered! I spent a happy hour or so trying to decide how to arrange the colours – not easy, but enjoyable – and between the first and the second picture below I constructed some dividers from a cereal box to keep the bottom bobbins neatly aligned. This box is kept on the chair that the previous two boxes are kept under.

Caron threads in a box with drawer The drawer with its new dividers

And there you have it, my thread storage system! Rather scattered, and not particularly coordinated or uniform, but it works. One day, though, one day … I will have pictures to show you of my very own craft room with two or three (or four) cabinets full of drawers that are just the right size, and everything organised just so. But don’t hold your breath – it may be a few years smiley.

Over the (Yellow) Moon

Summer seems to have arrived at last! At least I’ve got my first sunburn of the year – the consequence of falling asleep on the lawn last Saturday. I have some interestingly shaped patches of red skin now, but it was really very relaxing, dozing in the sunshine with the sound of birds and the smell of grass and all that. Add to that a lovely walk along the canal followed by a drink at a canal-side pub before dinner, and seeing an alpaca being born during our Ladies Walk in the morning, and it all adds up to a very pleasant weekend. I even managed to get the pile of 100+ skeins waiting to be bobbinated down to 18, which I hope to do at my stitching group this afternoon.

Hoever, that is not what I set out to write about. Some time ago I showed you the foam purses and notebooks I bought from Yellow Moon, and a bit later the purses adorned with Art of the Needle. This gave me a taste for foam, so to speak, and browsing through the Yellow Moon catalogue I found all sorts of interesting items. Last Friday I received my parcel, containing lots of things to experiment with.

One of them was a set of foam blanks in the shape of flowers and butterflies. I got this mainly for the flowers, although as they turned out to be rather bigger than I thought it might be possible to decorate the butterflies with two small projects, one on each wing.

Foam flowers and butterflies

More practical (well, a little more practical) are the Christmas tree baubles and keyrings. The foam blanks attached to the keyrings are fairly large, but then that would just make them easier to find in your bag! Any stitching will have to be attached quite securely, though, as it will be handled a lot. Perhaps I’ll advise people to use them only for spare keys that live in a drawer or on a hall table … The baubles are glued on one side, so you push your photograph/artwork/stitching in from the unglued side and then glue it shut. These are perfect for mini designs, whether cut or uncut. I rummaged through my workbox and found a few minis I had done earlier (including the blackwork snowflake freebie), which turned out to be just the right size; I haven’t glued them in place yet, but they give an idea of what is possible.

Foam baubles and keyrings Some mini projects mounted in foam Christmas tree baubles

Finally I got something which was not quite the size I wanted, but I thought if I studied the kit I could then make my own from large sheets of foam with exactly the dimensions I want. These are Bible folders (they also come as book folders, with a bookworm design on them; the bag on top, by the way, is a selection of foam cross-shaped beads I got for our Church’s Sunday school), but of course they could equally well be needlework folders! Not, perhaps, with the supplied decorations, so they will be donated to our Sunday school together with the cross beads, but you get the idea: sew a folder out of foam, using cord or perle or whatever, with a slit to take the tip of the flap to close it, and decorate the other side with a piece of needlework (either sewn or stuck on, hemmed or buttonholed or with a frayed edge), and hey presto, a folder to keep your finished projects in before turning them into framed decorations or useful objects. Or you could keep charts in it, or even the threads and fabric for a project-in-progress. if this one works, I’d like to create a folder with a gusset. If I do get round to it, you’ll see it on FoF!

Bible folder kits and cross beads Folder kit - foam, cord and plastic needle

Winding ways

Remember all those threads I got from the Little Thread Shop, not to mention several smaller lots from West End Embroidery? Some of these were Threadworx, which come in pre-cut lengths and are therefore put on little wooden rings like my standard perles, but most of them were not, and so they need to be wound on bobbins. There are a lot of threads on our dining room table waiting to be wound on bobbins …

The trouble with winding bobbins from skeins of Caron or hand-dyed perles is that they don’t always behave the way they should. Ideally, you take the label off the skein, unloop it if it’s been looped together once or twice, and then you’re left with a sort of ring of thread – start at one of the cut ends and unwind from the skein as you wind onto the bobbin. Simple. Unfortunately these skeins, which are often twisted, have a habit of tangling most annoyingly as you unwind them, however gradually you do it, leading to a lot of muttering-under-the-breath and stopping to undo knots. One way of keeping the untwisted skein from misbehaving is to ask a kind person to hold it looped around their hands while you’re winding (as in Harold Harvey’s Winding Wool, below), but I felt that this was probably too much to ask of my helpful and supportive husband in view of the quantities involved.

Harold Harvey's painting 'Winding Wool'

One way which I have used in the past is derived from the kind-person-holding-skein method and involves looping one end of the ring of thread around my knee with the other end lying in my lap. (A version with the ring of thread looped around both knees not only proved to be unworkable, but also caused such loud guffawing in anyone who happened to see it that even if it had worked I would have given it up.)

The one-knee method is far from ideal, however, and so I started looking for what you might call a pair of mechanical helping hands. I temporarily considered the two little thingummybobs that hold the sheet music on the stand of the pianola, but as that would mean sitting with my back towards anyone else in the room for hours on end I dismissed it. It did put the idea of music stands into my mind, though; my own (used many years ago for guitar lessons) is unfortunately of the sort that is like a flat lectern, but my husband reminded me that youngest son’s music stand was one of those folding metal affairs. Would it work?

Winding wool using a music stand

It did smiley. So this weekend it will be me and my music stand, tackling bobbins and skeins. And done in this way, it is actually quite relaxing!

A bicycle ride and Australian kindness

This morning I went off to our church to help with a coffee morning. The three local Baptist churches are sending a team to India this summer to help with a school and various other things, and so a lot of fundraising is going on – today was a sponsored bike ride or walk around Draycote Water, a local reservoir, with coffee and cake at the church afterwards or throughout the morning for anyone who simply preferred cake to exercise. When I arrived at the church it turned out that there were about 30 cakes, and about as many helpers, and about half that number actually cycling or walking!

Well, I may be exaggerating a little, but it was obvious that the coffee morning was going to get along very well without my help, so I went back home, dug out my trusty Dutch bike (back-pedal brakes, no gears, sit up very straight) and completed two laps around the reservoir (5 miles each), the second lap without getting off my bike to walk up the steeper bits *yay!*. I even overtook two of our teenagers on their whizzy modern bikes – although I will admit that this was probably because one of them had some chain trouble.

It was a lovely ride, with gorgeous views over the surrounding countryside, oodles of swallows or swifts or martins skimming the water for insects, a duck with a train of ten ducklings behind her, one of the girls from church doing part of the lap on a unicycle, a wagtail and a crested grebe; I really ought to do this more often!

I came home feeling very virtuous having done all that exercise, and for a good cause too (if anyone would like to sponsor me retrospectively, drop me an email!), and picking up the post on the way in I noticed an envelope from Australia. What a lovely surprise: Stitchinkitty from the Cross Stitch Forum had sent me eight skeins of lovely Australian hand-dyed perles! The brand is Minnamurra, which she tells me has been discontinued; a shame, of course (the more thread hand-dyers out there the better) but it does mean I won’t feel guilty if I don’t use them in some new design – I can just use them for my own pleasure and enjoyment. Aren’t they lovely?

Minnamurra threads from Stitchinkitty

My parcels have arrived!

Having been held hostage for a week by Customs (don’t get me started on the extortionate Royal Mail handling fee!) my two parcels from Margaret at the Little Thread Shop arrived yesterday. Unfortunately work doesn’t stop just so I can play with new threads, so it had to wait until the evening. I’d sent Margaret two rather long lists of Caron Watercolours and Wildflowers, and on the invoices it said how many of each she was sending but not which particular numbers, so although I knew that one Watercolours and about five Wildflowers weren’t available, I didn’t know which ones. The first thing to do, then, was to sort through them, a very pleasant occupation and one that my husband thought deserved a photograph (apologies for my bad posture).

Sorting through Caron threads

And here is the complete haul, in numerical order. Already I’ve identified some very promising combinations, like Old Brick with Turmeric, and Caramel with Almond (apart from the Old Brick it’s beginning to sound like a recipe! Mind you, some of them do look good enough to eat). The parcel also confirmed how good Margaret’s customer service is – one of the Wildflowers she didn’t have was Parfait, but she sent me a skein of Blossom at no charge saying it was quite close to Parfait and might work (it does).

My new Caron threads

One of the things I did notice while having my little thread feast was what a difference dye lots can make. I have two skeins of Watercolours Caramel (one I bought in Holland because I didn’t remember it was part of my order from Margaret) and they are really completely different colours, one more golden brown, the other almost with a reddish, brick-like cast. The pair at the bottom are Watercolours and Wildflowers in what is meant to be the same shade, Sunglow, but you can see from the picture that although they look good together, they are definitely not the same. No fault of Margaret’s at all, but it is another reminder that there really is no substitute for seeing the threads in the flesh (or in the fibre), and also that if you’re going to need more than one skein for a project you’d better make jolly sure they’re the same dye lot!

Differences in dye lots

Now all I have to do is wind them all on bobbins …

Threads, threads and surprise threads

I’m having a bit of a thread orgy at the moment for various reasons. The first one you might call neutral – an order from West End Embroidery with threads I wanted to try out. These are mostly Threadworx hand-dyed perles, pairs of #5 and #8. I haven’t got particular projects in mind for them, except for one: the rather startlingly bright one on the right, called Bradley’s Balloons. I fancy that would work well on a sky-blue and white fabric for Windmills; it reminds me of the bright colours of those toy windmills you get at the seaside.

Threadworx threads from West End Embroidery

The second reason is rather sad: Margaret Roberts is closing down the Little Thread Shop for health reasons. This is of course first and foremost a blow for her and her family, but in a much smaller way it is also a loss for stitchers everywhere who benefited from her great customer service, helpfulness and competitive prices. As she is now clearing out her remining stock, I’m afraid I went a bit mad and placed a big order, then (encouraged, would you believe it, by my husband) another one, as this was a once in a lifetime chance to stock up on Caron threads without breaking the bank! The first half of the first order has arrived – two more parcels to look forward to …

Caron threads from the Little Thread Shop

And finally the very best reason of all for a stash acquisition! Sally, a wonderful fellow stitcher from Australia, sent me some gorgeous hand-dyed threads under the pretense that she wanted my help in identifying a thread from her grandmother’s sewing box. If I tell you that in the picture below the solitary pink thread on the right is what she wants my help with, and all the other threads are her very generous gift to me, you will see why I think she is a star, and a brightly shining one at that. There is a hand-dyed medium silk (the light turquoise one) from Jennifer Gail Threads, a perle #5 (pink/blue) and #8 (dark turquoise) from Jane van Keulen, Cottage Garden stranded cotton (red/green) and the absolute gem of the collection, a skein of Colour Stream’s Ophir silk perle (red/orange/yellow/purple). I have long wanted to try that one out, as I suspected it would be the same sort of lovely cord-like thread as Gloriana’s Princess Perle Petite and Treenway’s Fine Cord. I haven’t had time to try it yet, but I’ll let you know – it definitely feels delectable!

Threads from Sally