A pressing problem concerning bookmarks

Well, not really – but as it involves bookmarks and ironing it was too good (or bad, according to your definition and taste) a pun to miss. My two bookmark testers did their worst, and they (the bookmarks, that is) bore it all with fortitude; even the one with the weak spots did not go to pieces under the strain, and the stitching stood up to it all beautifully, without so much as a cut end poking out at the end of the test period. The only mild criticism from both testers was that the bookmarks are relatively chunky, which could be a minor problem when used in very light, thin books.

Far be it from me to suggest that everyone should read only thick, heavy books, and although the felt will probably compact a little with use quite naturally, I wondered whether it might not be encouraged to do so a bit more quickly. In other words, I planned to iron them. Felt being what it is, my theory was that ironing them at a higher heat than wool would normally find comfortable might cause the fibres to fuse, making the bookmark both thinner and stiffer. Time, then, to heat up the iron and put my theory to the test. There would have to be a layer of some sort between the iron and the bookmark or I’d probably end up with a ruined iron (not to mention the bookmark), so I confiscated one of my husband’s older and tattier hankies to sacrifice to this great scientific experiment.

Next was the question of when to iron the bookmark; that is to say, at what stage of production. I chose to try it both at the tasselled-but-otherwise-untouched stage and at the stitching-attached stage. Ideally I would like to use the first method as it means I can pre-iron the bookmarks in the kits; however, if by ironing them they end up so stiff and/or solid that attaching the stitching becomes a problem, I’d have to add a note to the kit instructions about ironing the bookmarks after making them up. Not an insurmountable problem as most people have an iron kicking around the house, but nicer if they don’t have to.

Because the felt I use is handmade, no two bookmarks are the same thickness. For this experiment I chose two of the turquoise bookmarks, which seem to have come out a little thicker than the other colours on average. Here they are pre-ironing, a front view and a side view.

The two bookmarks, one with patch and one without, pre-ironing A pre-ironing side view

Using the handkerchief as a buffer between the iron (set to “Cotton”) and the felt, I got to work. Nothing much happened. The bookmark looked a little smoother, and a little thinner, but there was no fusing. Perhaps this is what I should have expected from pure wool. I tried ironing a bit without the handkerchief. No fusing, no bits of bookmark sticking to the iron. More ironing. The bookmark got a little flatter and smoother still. After a while we seemed to have reached maximum compaction, so I stopped.

So was this experiment a success? Well, the fusing and stiffening I had rather hoped for didn’t happen. On the other hand, the bookmarks are definitely thinner and smoother, and they as they didn’t stiffen it is fine to iron them before attaching the patch. This is a definite plus as the one I ironed with the patch already on it came out looking just a little, well, flat. The stitching looked a bit lifeless and had lost some of its 3D quality. The enhanced smoothness doesn’t show up very well in the picture below, although it will at least give you an idea, but the side view does show the bookmarks to be thinner than they were.

The two bookmarks, one with patch and one without, post-ironing A post-ironing side view

As the bookmarks definitely looked better ironed, as well as being a bit thinner, I decided it would be worth ironing the ones already in kits, as well as the ones I’ve got ready tasselled for my charity stitching. And as I was on a roll, I then did the two small stacks of untasselled ones I have in stock as well. Out of curiosity I decided to measure the stacks; both were 6cm high. Post-ironing one was 4.5cm high, the other 4.8cm – a 20%-25% reduction in thickness! It’s always nice to get confirmation that you’ve done the right thing smiley.

More charity stitching ideas

One thing you need to consider when stitching for charity is that the materials shouldn’t eat up all the profits. It’s all too easy to go on a stash-buying spree to make beautiful and desirable little items, only to work out afterwards that no one is going to pay what you would need to charge to cover your costs. Buying in bulk is useful in keeping costs down, whether it’s the felt tags I ordered last week or (my latest idea) coasters, so I splashed out and got 100. I’m sure they’ll get used, if not this decade, then the next; after all, it’s not as if they’ve got a best before date!

The next question is what to put in them. Round Dozen is great for coasters, but even though the designs are relatively quick to stitch, they’re still a bit too labour-intensive when trying to get a mini production line going. So let’s see if we can’t simplify the design a bit while keeping its decorative qualities.

First we’ll do it on Hardanger fabric instead of 25ct Lugana so that a smaller design will sufficiently fill the coaster. The originals are a fairly tight fit anyway, and a bit more breathing space may not be a bad thing. Make the central part smaller, keep the coloured diamond – chain stitch, I think, as it’s a bit quicker than double cable stitch – and leaf stitch in the corners for no other reason than that I particularly like leaf stitch. In the first draft I had some coloured surface stitches snugly fitted into the corners of the central motif, but perhaps they’d look better as a coloured border, although that is a bit more work and may make the thing too big. I will have to try out both designs and see which one works best.

Simplified Round Dozen design for charity coasters

Simplified Round Dozen design for charity coasters

Ah. I’ve just realised that the border consists of double cross stitches. I like double cross stitch – it’s a quick and easy way of adding some 3D texture to a project, and it looks great in cards. Unfortunately there is only so much 3D texture that a coaster can accommodate, so back to plain old single cross stitches. And now let’s get some models stitched up!

Note to self: get some more thin black Vilene.

Congress cloth Hardanger and freedom to vary

Does Hardanger have to be stitched on Hardanger fabric? If you have ever browsed Mabel’s designs (or those of many other designers), you’ll know that the answer to that is “no”. In fact, when Hardanger embroidery started there was no Hardanger fabric. As long as the fabric is an evenweave, and as long as you can find threads in suitable thicknesses, you can use whatever you like, from 14ct afghan fabric to 55ct linen (I’ve seen the pictures to prove it, but haven’t been brave enough to try it myself). Even so, the fabric of choice of Nordic Needle’s Roz Watnemo has always struck me as unusual – Congress cloth.

Why unusual? It’s not the count; at 24 threads to the inch it’s perfect to use with perle #5 and #8. But it’s not a fabric – it’s a canvas. That means it’s very stiff and also quite open, both of which seemed to me unsympathetic to Hardanger. My main questions were: if the weave of the fabric is relatively open, will there be enough contrast between it and the cut parts? Won’t the stiffness make it harder to cut, and practically impossible to tuck in the cut ends? Will the stiffer threads have enough “give” when working bars, for example when pulled together in a wrapped bar? There was really only one way to find out. Try it.

To my surprise, it worked. Of course it shouldn’t really have surprised me – if an experienced Hardangerista like Roz Watnemo swears by it, it’s unlikely to be impossible. Even so, I hadn’t expected it to stitch up just as quickly as on my usual fabrics.

Hardanger on Congress cloth

So how did the experience differ from my normal stitching? And will I use Congress cloth again? To begin with the first question, for one thing the material is much stiffer. You couldn’t use a hoop if you wanted to, I think. But then, you don’t need it, as tension is not really a problem with such a stable material. With a small snippet of a project like this, not having to use a hoop is quite an advantage, as it saves on material – you can stitch in hand on a little off-cut, rather than having to use a 5″ square to fit a 4″ hoop (note to self: must try a 3″ one to see if it will do; perhaps if I work “in the well”?). Not sure how I’d like to stitch anything big on this canvas, though I suppose a roller frame would work if you didn’t want to stitch a large project in hand.

Cutting was fine, the squissors coped beautifully with the stiffer threads, but as predicted, poking in the cut ends is more difficult on Congress cloth than on Hardanger fabric or Lugana (looking at pictures of Congress cloth Hardanger projects online I didn’t find any without visible cut ends). They do eventually bend back on themselves, but they are more likely to unbend again and poke their annoying little heads through the stitches. Working the bars was much easier than I’d expected: the canvas had enough “give” to allow me to pull the threads together. And finally, the look of it. That is to a great extent a matter of taste, but for me the weave is just too open – too much of the coloured backing shines through, making the contrast with the cut areas less striking.

Congress cloth vs Hardanger fabric

The answer, then, is no, I won’t be using it again; at least not for Hardanger. But it was an interesting experiment to try, and I can see it would be a useful material for building up 3D Hardanger shapes such as Christmas ornaments.

As I was stitching the patch for the last of my sixteen bookmarks yesterday, I suddenly realised that I’ve completed the wrapped bar/sunburst models needed for potential kits (except for the pink and turquoise versions as I had only one tag of each and they’d already been made up with woven bar/dove’s eye patches). This means that I am now free to stitch any future felt-tag-bookmarks-for-charity with whatever backstitch motif & bar & filling combination I’d like to use. To celebrate I finished number sixteen with picots smiley.

A picot felt bookmark

When I’ve ordered some more tags I’d like to try personalising one or two by stitching initials underneath the patch (chain stitch, probably). And stitch a few with the little baptism cross – being rectangular rather than square it would look good on the rectangular bookmark, and both good causes I am stitching for (Dunchurch Baptist Church‘s new building, and the Elijah Gambia foundation) are Christian, and likely to attract a fair number of fellow Christians to their charity sales. It looks like I’ll have plenty of enjoyable little projects to keep me occupied even if I don’t get round to my larger designs – and of course the annual Christmas Craft Event is looming, so I need to think up a project for that as well!

PS Two of the bookmarks are now in the hands of bibliophile friends who have promised to test-drive them ruthlessly. We’ll see how they stand up to the treatment…

More about bookmarks

Three more felt tag bookmarks have been finished – they really are very quick which is just what I want. True, I pre-tasselled the tags and pre-cut the threads and fabrics, which makes the whole process a bit quicker still (quite a production line, in fact), but I do think that an experienced stitcher could put together one of these, start to finish, in about 2 hours. Ideal for charity stitching, or indeed for swiftly producing a good number of small Christmas presents. It might be an idea to put some kits together!

Three more felt tag bookmarks

As straightforward running stitch is not quite secure enough for my liking in attaching the patch (the first bookmark has been unpicked and restitched) I tried two different patterns: a zigzag (below right) and running stitch turned 90 degrees – perhaps you could call it perpendicular running stitch (below left). Both use more thread than ordinary running stitch but both definitely look and feel more secure. Another observation: the slightly stiffer Hardanger fabric (left) behaves better than the softer, floppier Oslo (right).

Two different ways of attaching the patch

On the whole I incline towards perpendicular running stitch as it is quicker to do, and also a little less noticeable. Both methods, if pulled fairly firmly while stitching, make the patch “puff up” and give a slightly padded effect. Both methods should not be looked at too closely on the back of the bookmark, but I hope people won’t mind that. One way of making the back neater is to attach the patch with thread the same colour as the tag, but unfortunately that would make it stand out rather on the front, and I’m not sure it would look as good as with white securing stitches.

Talking of colours, the Blooming Felt tags come in eight different shades; one of them is Ivory, which wouldn’t work unless you used coloured fabric, then the six colours I’ve got, and one more called Apple Green. The picture on their website, however, looks more of a mossy green. A very pretty colour, but not particularly apple-y. (It didn’t help that the picture of the Turquoise tag looked quite a different shade from the turqoise tag I’d just been using, making me think they might have changed the colour since I last ordered from them.) So I wrote to ask what DMC shade Apple Green was closest to, and quickly got a very helpful reply saying that they sell DMC soft cotton in shades to match their felts, with a link to the one that matched Apple Green. Well, what can I say.

Blooming Felt's Apple Green felt tag Blooming Felt's Apple Green soft cotton

With such a difference between the two pictures it would be anybody’s guess what Apple Green actually looks like, but fortunately I remembered that some DMC’s soft cotton shades match their stranded cotton shades, and both this one and the turquoise soft cotton happen to be shades I have in my stash. Turquoise is definitely like the tag I already have, and Apple Green is bright rather than mossy. In a way that’s a shame as I rather like mossy green; and this bright green will probably not go with any of the Anchor Multicolor perles. What it comes down to is that I’ll just have to order one to see what, if anything, it will go with.

But first there’s six more tags to finish. So far I’ve used woven bars and dove’s eye for all of them, and I’ll do one of each colour that way. The other four, which are duplicate colours, I’ll vary a bit; especially if I’m going to make them into kits, it would be good if the patch wasn’t exactly like the Mini Kit ones. I’m leaning towards using sunburst stitch (as used in Floral Lace: Forget-Me-Not and Song of the Weather: November) but haven’t quite decided yet what bars to surround it with. So far I’ve only used it with woven bars, but I’ll try it out with wrapped and double wrapped as well, plus perhaps some slightly different backstitch motifs.

Sunburst stitch

Worrying thought: I haven’t actually tried out any of these bookmarks in a book…

Charity bookmark ideas

Not having stitched at all for some time now (I just can’t seem to get round to picking up a project), I felt I needed something small to get me back into the swing of things. How about some of those charity bookmarks I’d been thinking about? But I still needed to work out some simplified finishes – the variegated buttonhole edge looks lovely but unfortunately is the most time-consuming part of the whole bookmark. Idea: stitch the adapted bookmark design, attach it to felt with running stitch, then cut around it with pinking scissors, and fray the fabric up to the running stitch. We’re preparing for a trade fair at the moment (for the day job, not for Mabel), but I’ll try this out when we’re back.

Then I had another idea. (Two ideas in one day, I was obviously on a roll.) Remember those felt gift tags from Blooming Felt? How about threading a tassel through the hole of the gift tag, then attaching a little Hardanger motif to the tag, and using it as a bookmark? It wouldn’t be quite so long as most bookmarks, but after all there is nothing against slightly shorter ones. Might even be useful if you read a lot of small books.

Gift tags and a purse from Blooming Felt

I worked it out in a bit more detail. Use the matchbook design, working the backstitch motifs in a variegated perle #8 to match the colour of the tag. Make a tassel from some more of that variegated perle together with a little white perle, and attach it by feeding a loop through the little hole in the tag, then pulling the thread ends through the loop (I’m sure there’s a name for this sort of fastening but never having been a boy scout – or even a girl guide – I have no idea what it is).

Felt tags and variegated perle to make bookmarks

Here I hit the first snag. When pulling the tassel taut, the thin edge of the hole pulled away from the tag, leaving me with a disconnected tassel clinging on to a wispy scrap of felt, and a hole-less tag. Hmm. This obviously needed some thought. I decided to trim the tag so it looked nice and tidy again, then use a needle to pull the bunch of threads through the felt until there is an equal length of threads on both sides, and knot the whole bunch together. This worked better and the tassel withstood my experimental tugs admirably. The little Hardanger motif was soon stitched, so all that remained was to attach it. I realised it would be difficult to trim the fabric after it was attached to the felt, so I trimmed it first, then worked running stitch all around it, two threads from the edges. Fray up to the running stitch, and voilà, bookmark!

The tag with its tassel, and the finished stitching Prepared tags with their tassels The finished gift tag bookmark

Now I did say “first snag”, a little while back. There were two more. One is that it’s quite fiddly to get the motif on to the tag straight. I kept tugging and adjusting while putting in the running stitch, and it still came out ever so slightly crooked. We may just have to accept that as being part of its genuine hand-made charm. The final snag is that although I think the running stitch is secure enough, in one spot it looks as though the fabric might one day try to escape, especially if it is handled a lot – which, as a bookmark, of course it will. So I may use a slanted stitch for the other ones, which should prevent any of the frayed edge from working loose. And then all people need to do is buy them at the Charity Fair!

Introducing a new speciality thread – Lexi’s Fur

Have you ever seen that cross stitch design – Lizzie*Kate, I think – with a ginger cat’s head and the words, “Cat hair, just another speciality thread”? How true. The ginger hair of our much-missed Alfie definitely found its way into several of my designs, and now a new thread is about to be incorporated: the fur of Alfie’s successor Lexi.

Young enough to enjoy some boisterous play

We adopted Lexi through the local Cat’s Protection and picked her up last Tuesday. She’s already made herself right at home, and has a great time finding the best places from which to watch the birds in the garden (she’s not allowed out yet, of course). The large window is proving a bit confusing though, and just now there was the most alarming thud as she went for the pigeon on the bird bath.

Studying the local bird life

Two recent finishes were pre-Lexi and therefore guaranteed fur-free – two more Floral Laces. Five down, thirteen to go…

Floral Lace: Clematis Floral Lace: Forget-Me-Not

I have done more than just buttonhole, though: Extravorganza 3, the second smallest of the four variations (yes, I know I said there were five variations, and in fact I charted a sixth, but the three smallest ones turned out to be so very alike that I’m counting them as one variation). This one uses a rich blue (and probably some tabby), the next one will be green, and the other two most likely orange and purple, but don’t be surprised if I change my mind!

Extravorganza 3

Felt for finishing and an unexpected use for metallic kid

I’m beginning to get quite a collection of finished Floral Laces – some with quite startling combinations of felt and stitching (wait till you see Fuchsia …) – here are two I finished while we were on holiday in the Outer Hebrides. One of the things I’m considering doing with them when I’ve got them all done is getting a square framed cork board, possibly paint it black, and then display them by rotation. Yes, felt is wonderful stuff, and not just for finishing Floral Lace – remember these hand-dyed felts I got at the Knitting & Stitching Show last year? I haven’t actually decided what to use them for yet, but they’re lovely even just to look at, and I think they’ll make a beautiful backing for something or other.

Floral Lace: Rose Floral Lace: Sunflower 21st Century Yarns felt

And backing is not the only thing you can do with felt, of course. Here is my recent purchase from Blooming Felt: gift tags and a purse. I’m not sure yet what designs to use them for; obviously they need to be quite small. Perhaps a shortened version of the smaller Window on the World for the purse? And I may have to design something new for the tags, although there are only so many things you can do in such a small space; or the little cross I’ve used for baptism bookmarks might make quite a pretty gift tag for a christening gift!

Gift tags and a purse from Blooming Felt

Remember the metallic kid I used for Treasure Trove? It came in very useful yesterday, though not for any needlework. One of my belts works really well with 2 or 3 of my dresses, but the snag is that the loose end won’t stay put. When I put the belt on first thing in the morning the end bit curls snugly enough around my waist, but as soon as I move, it does too. I tried sticking it to the belt with blutack, but that started affecting the surface of the belt. It obviously needed a loop of sorts to hold it in place, but what could I use that wouldn’t stand out like a sore thumb? And then it struck me – the belt is made of metallic leather, in warm shades of copper and gold. So I dug out the left-over gold kid and it turned out to go with the belt perfectly. I was about to sew the leather together when my husband suggested contact adhesive; it proved to be a fortuitous suggestion, as I made the loop a little too wide the first time, and this way I could gently unpeel rather than laboriously unpick. So now I have a lovely fitting belt; I knew having lots of stash was practical!

Gold kid used as a belt loop

Finishing florals, part 5; and a tale of two squissors

Yes, I have finally completed the buttonholing on one of the 18 “proper” Floral Laces! Using the more spacious of the two buttonhole versions worked well – having the buttonholing closer to the stitching than it is now would have looked rather cramped, I think. The back looks better than I’d expected, with the scalloping producing rather a decorative effect. All in all, I’m pleased with it and will, over time, finish the other 17 in the same way.

Floral Lace, with scalloped buttonhole edge The back of the buttonholed Floral Lace

I’ve also been trying to get some more squissors, my former supplier having decided they wouldn’t do them any more. They very kindly put me in touch with their suppliers, and it all seemed to be going splendidly (apart from the complications of ordering from a country far, far away) until 100 pairs of squissors arrived. They looked just fine, all titanium-coated and colourful. But when I had a closer look at one and tried it out, it turned out that not all squissors are equal – these were far thicker and less pointy than the ones I had before!

Not all squissors are equal

Fortunately I’ve got enough stock left to be getting on with for the moment, and the new ones have now been returned to the supplier who will send out the correct ones this week, I’ve been told. So no need to panic quite yet, there may not be a global shortage of accurate, thin-bladed, fine-pointed squissors after all!

Kits, cards, and a missing colour

It’s an excellent thing to get children interested in crafts for all sorts of reasons besides giving them an enjoyable hobby for the rest of their lives, so I thought I’d kill two birds with one stone by producing some children’s kits and offer them for sale at our church’s mother & toddler group to raise money for the building fund. Having considered and rejected the mini peacock as not really being a children’s design, I remembered a kit I put together some years ago for some young friends of ours whom we were “babysitting”. It needed a serious rummage to unearth it, but I managed to dig up my Hot Air Balloon chart! Here is its first stitcher proudly displaying her work; a sneak peek at the chart; and the blue aida and perle cotton I’ve picked to make the kits with (I think the first one was done with coton a broder).

A young stitcher shows off her work The hot air balloon chart Materials for the kit

Talking of the building fund, the Art & Craft Fair went well, a good number of people came in and viewed, browsed and bought, although as usual the cake stall proved to be the most popular smiley. Lots of people took flyers for the workshop, so I’m hoping for a full house and possibly a second workshop! But first I’ll be doing a sponsored cycle ride around the local reservoir this Saturday – and the weather forecast is not good …

My table at the Craft Fair

The new Notebook Kits (just visible on the Craft Fair display above) are finally on the website – with pop-up pictures of all available colours, which is why it took a while for them to appear as I had to stitch the model in a further five colour combinations. As I didn’t want to use up any more of the notebooks, they’re not actually attached. Fortunately they work on cards too! It’s always good to have a further use for a kit, isn’t it?

The notebook patch works on cards too

Having finished the notebook models, and keeping the Floral Lace finishes as in-between and travel projects, I had to decide which of the Planned designs I’d stitch next. I went for Orpheus, a pair of designs based on Ukrainian whitework, although these will be stitched on two shades of Sparklies hand-dyed Lugana rather than on white. I do plan to use threads in the same shade as the fabric, though, and this is where I ran into an unexpected problem: I didn’t have perle #5 in the right shade. Originally I had planned one of the pair to be worked on Zweigart’s Moss Green with DMC perle 503, and the other on Burnt Orange with 722. But 722 is too dark, really, for Sparklies’ lovely muted orange Pumpkin Patch – it needs 402. And for some unfathomable reason I do not have 402 in perle #5! So a visit to Sew & So is called for, with possibly a few extra skeins of White perle thrown in (always useful) in order to make the most of the postage. For now I leave you with my colour dilemma:

Which shade for Orpheus?

Finishing florals, part 4; and a Craft Fair

Remember my finishing plans for Floral Lace? I’ve finally got round to picking felt colours for most of the designs from my stash, although for about four of them I may have to buy some new colours as nothing I’ve got quite sets them off the way I want it. Still, I have plenty to be getting on with, and so far my modifications to the method I tried with the Floral Lace Variation seem to be working. The main change so far is using an oversized square of felt, and trimming it after it has been attached with running stitch. As you can see, it doesn’t even matter if the felt is a bit lop-sided, as the excess gets cut off anyway smiley. My little pointy embroidery scissors are really proving their worth with these projects, both in trimming the felt and in cutting very closely around the buttonhole edging – I doubt I could do it without them!

Using a larger square of felt The felt trimmed Useful embroidery scissors

I am now attaching the felt to several of the squares and trimming it so that they are ready for buttonholing, because it struck me that these are ideal travel projects: all I need once they are at this stage is white perle #5, a needle, and a pair of scissors – and if I decide to leave the final cutting-round-the-buttonhole-edge until I get home, then any scissors will do as long as they’ll cut my working thread. So if I keep a pile of them and take one or two whenever we go away, I should get them all finished before they disintegrate with old age (or I do…)

One of them will serve me very well on Saturday, when I’ll have a table at the DBC Arts & Crafts Fair – one of the many activities our church is organising in aid of the building fund. It’s part exhibition, part sale, and there will be paintings, jewellery, vintage clothing and, oh yes, some Hardanger. I thought I really ought to demonstrate as well as simply saying “Here’s one I made earlier”, but I don’t relish the idea of trying to work some complicated bit of stitching while also chatting with viewers/customers, answering questions etc. So here’s the compromise: work on the buttonhole edge of one of the Floral Laces, but also have a hoop ready with some pre-stitched Kloster blocks so I can demonstrate cutting and, if pressed, some filling stitches. And just to show you how extremely organised I am about all this (ha!), here is what our dining room looks like at the moment. Can you spot the world premier Notebook kit?

Getting ready for the DBC Arts & Crafts Fair