Finishing an elephant, 2nd attempt

The Wedding Elephant. It got finished in time. Just. And not quite the way I wanted. But I liked the stitching, and the card looked fine in spite of its rocky history, so I wanted one for myself as well – and as a model for Mabel’s Fancies in case anyone else thinks an elephant with a date is rather a nice way of commemorating a special occasion. As with the first Wedding Elephant, the stitching went well. I used Chameleon’s Shades of Africa silks this time, in rather pleasing apple green, coral pink and buttery yellow shades, and being overdyed Soie d’Alger, they are extremely nice to stitch with. But now for the finishing.

I’m going for a slightly different approach this time: I’ve sandwiched together the Normandie-fabric-with-elephant and a green felt backing in a nice roomy hoop, and will work a rectangle of stitches around the elephant. The next step is to add buttons. Unfortunately I have only one of those nice wooden flower buttons left, and I can’t remember where I bought them (well, at the K&S show, but I can’t remember the company), so I had a rummage through my stash and through the button collection of our local fabric shop. I came up with three possibles, all floral: shiny green sequins, largish light yellow pearlescent buttons, and small and fairly plain yellow-shading-into-a-white-centre buttons. Trying them all out with the stitching the sequins were rather too blingy and overpowering, and the pearlescent buttons just that bit too large and noticeable, so I’ll be using the self-effacing little flowers on the right.

The second Wedding Elephant with its felt backing A choice of buttons and sequins

Having attached the buttons I will then take the sandwich out of the hoop, cut the Normandie about ¼” outside the stitched border, and fray it. Unlike the first elephant it should not fall apart whatever stitch I use, as it will be attached to the felt. I like that sort of safety net! Then cut the felt with pinking shears about ½” outside the edge of the fabric, and we should have a Presentable Elephant. Fingers crossed…

Finishing

Lynn, one of the members of the Embroidery Circle I go to, is of the opinion that anything worth stitching is worth displaying in some form or other, and she therefore heartily disapproves of my habit of consigning most of my completed projects to folders hidden away in dark drawers. In a way I agree with her – when I see some of the lovely projects completed by fellow stitchers I, too, think it’s a shame when I hear they will just be put away and forgotten about. And if I think that about other people’s projects, why not about my own? So I’ve decided to Do Something With Them. Well, some of them.

Obviously I can’t frame them all – there’s quite enough on our walls already. And only the smallest things can be made into coasters or bookmarks. But you can fit quite a variety of sizes on, say, shopping bags. Off I went, therefore, to the Clever Baggers, who as their name implies have lots of different types of bags as well as other items. I got a selection of bags-with-long-handles-and-gusset of the type I’ve used before, and a cushion cover, some tea towels and a napkin (not in the picture) to try out. The big canvas bag is for my own use – it’s roomier than the bag I usually take on my annual London visit so I hope it should be easier to take all the kits and materials, especially as I’m teaching two workshops this year. The next thing to do is go through my folders of stitched models to see what would look good on the various colours. My selfish side would prefer to keep all my stitched models as they are a record of what I’ve designed, but on the other hand there’s no point in them just lying in a drawer collecting dust. And bags were good sellers at the last charity Art & Craft Fair!

Cotton shopping bags in a selection of colours A big canvas bag and a cushion cover

Other good sellers were coasters and bookmarks, so I’ve been stitching up several as in-between projects to stock up for the Art & Craft Fair later this year. An additional set of six coasters was requested by my mother for her birthday, and being a good and dutiful daughter I of course complied smiley. The trouble with these coasters is that although they are quick and easy to stitch up, I am rather remiss when it comes to actually finishing them – ironing on black Vilene, cutting them to size, removing stray cat hairs, poking in any contrary cut ends and fitting them snugly into the acrylic coasters. Having finished the stitching on a dozen of them, it was time to get down to some assembling. The result: one birthday present, and another set of six for the building fund.

Coasters for Mam's birthday and the church building fund

By the way, if your appetite for small projects that make good presents has been whetted by my colourful dozen, I’ve got good news! Our new Coaster Kits are now available from Mabel’s Fancies. The design is similar to the one used in the picture above, and you can choose a single coaster or a pair, in ten different colours.

An elephant unravels – almost

Well, the wedding was festive, the bride lovely, the bridegroom handsome, the weather wet but nobody let that get them down, and the Wedding Elephant was finished in time – though not quite as originally intended.

All went well initially. The elephant itself, including the wording, the date and the decorative lattice, was finished on Tuesday, and apart from the placement of one of the flowers I was quite happy with the result.

The Wedding Elephant finished

On Wednesday evening I wouldn’t have any time to stitch, so I had to snatch some time during the day to do the finishing. A line of pale yellow stem stitch as a border, then cut 3-4mm around that and unravel to make a fringe, then sew onto a card using four wooden floral buttons. That way, no glue or other adhesive would be needed, which might be better if the happy couple decided to keep the card for any length of time. I know that stem stitch (or back stitch, which is what it looks like on the back) isn’t the most obvious stitch to keep fabric from fraying, but as it wouldn’t be handled much I figured it would be secure enough. That was the plan.

A stem stitch border Cutting around the border

And then it all went horribly wrong…

Unravelling stitches

There was no way of saving the stem stitch border, so it had to come out, in the process unravelling the fabric a bit more. A new border was out of the question – not only was there no time, but the fabric was not stable enough to stand stitching so close to the edge. It would have to be double-sided sticky tape after all. This was duly applied to the fabric, right against the fringe, but as so often happens when one thing goes wrong, it now seemed impossible to get anything right. The sticky tape stuck to bits of the card that it shouldn’t stick to, and unpeeling the fabric, however carefully done, only served to curl up the fringed edges and destabilise it even further, until I was a tearful soggy mess trying to think of a place to buy a last-minute wedding card.

Did I tell you that my husband is an engineer and likes solving problems? (He is also very good at comforting hugs and cups of tea.) He suggested Vilene, or iron-on interfacing. So I carefully ironed the elephant flat (sounds like quite an undertaking, doesn’t it?) and applied the Vilene to the back. The rectangle of fabric was by now not at all rectangular anymore, and no amount of ironing could restore its 90 degree angles, so the fringe got snipped off and the fabric trimmed without taking too much notice of the grain. I sewed on the buttons (niece’s stuffed elephant business is called Nelly Buttons, so I felt buttons were practically obligatory) with one of the greens used int he embroidery, then stuck the whole thing to the front of a bright yellow card using double-sided tape, and here it is:

The finished wedding card

If you didn’t know what it was originally meant to look like, you probably wouldn’t notice that this was a last-minute panic alternative finish smiley). And now I’m working on a second, initial-less elephant for my own archives; I was going to do this one outline-first, but in the end decided to do it lattice-first after all, as it does seem to work better in spite of the away knot spaghetti. The elephant turns out to be quite a relaxing project when there isn’t a wedding looming!

A framed bee and a useful gadget

It’s great when you find that you’ve got exactly the right frame for a finished project already in your stash, something which happened to me some time ago with the goldwork watering can; years ago I picked up a frame which I thought would suit a piece of calligraphy I was planning. It didn’t. And then, after years in my chest of bits and bobs, it turned out to be Just Right for that piece of goldwork. It would be nice to be able to say that the same thing happened with my little goldwork bee, but alas, I had to go out and buy something for that. I didn’t want anything too fancy as it is quite a simple piece, and so I decided on an oval flexi-hoop in woodgrain finish. I use flexi-hoops a lot, but really only as hoops; they are, however, actually meant to be dual purpose, in that you can use them to frame what you stitched in them.

The 4 x 5½ hoop turned out to be just the right size (I have a white one in my stash which I used to check whether it would work) so I ordered a woodgrain one from Sew & So. Framing in a flexi-hoop is quite simple, although the amount of time you spend on it depends rather on how nice you want the back to look. First, mount the work in the hoop, and fiddle about with it if necessary until you’re happy with how it looks. Then trim the fabric to within about 3cm of the hoop. Using strong thread, work running stitch all around the fabric, about 2cm from the hoop. Pull the two ends of the thread to gather the fabric, making sure it’s evenly distributed, then knot the ends together to make sure the gathers stay put. You could stop there. Or, if you’re a glutton for punishment, you could cut a piece of felt to the size of the inner hoop, and sew it to the fabric using a curved needle (indispensible, I found – it was fiddly enough even so). And voilà, one framed bee!

The goldwork bee framed in a flexi-hoop The felt-covered back of the framed bee

One thing I’ve discovered doing goldwork and surface embroidery is that my eyes aren’t as good as they were – middle age must be creeping up on me. Actually, my eyes have been really bad from the time I was a child; I am very near-sighted, which can in fact be an asset when doing detailed work, as I can focus on my stitching close-up if I take my glasses off. However, I don’t want to spend a whole evening’s stitching with my glasses off and my nose practically touching the fabric, so I invested in a little gadget: the rather splendidly named Mighty Bright Vusion LED Craft Light & Magnifier. It’s rather a miniature package compared to some of the proper daylight lamps, but then it was a lot more affordable, too! The magnifier comes in handy when trying to unpick things, or gauging where exactly to place a stitch in a complicated part of the design, but the true hero is the LED light. It makes all the difference not having to strain to see, and the colours look better too smiley.

The Mighty Bright Vusion light and magnifier

About finishing and “finishing”

The English language is generally rich and varied, but every now and then it is disappointingly lacking: there is a distinction in life which can’t be expressed succinctly in language because one word is used for both phenomena. As you may guess I have a specific case in mind.

I am, on the whole, quite good at finishing what I start (in needlework at least). I like finishing projects, that sense of completion and the anticipation of starting something new. All right, it took me six years to finish a tiny goldwork bee, and I will admit to a small number of UFOs (UnFinished Objects) lurking in a drawer, but generally I do see a project through to the last stitch. Finished!

Except of course in one sense it isn’t. Because it is only when a project has been finished (meaning #1) that you can finish (meaning #2) it. Turn it into a cushion; frame it; mount it in a box lid; make it into a duvet cover, a table runner, a set of napkins. Finish it.

Finishing isn’t my forte. Except cards. Lots of my projects get made into cards. But that’s not much good for anything over 3½” or so, or for anything you want to keep yourself.

Then an occasion arose (I will tell you more about it some other time) for which I simply had to finish three small projects as ornaments. They came out quite well; not brilliant, as with some of those wonderful and versatile finishers of whom I stand in awe, but definitely usable, and spurred on by this success I finished Frosty Pine in the same way.

Frosty Pine finished as an ornament

A brief aside here about Hardanger ornaments – you can’t just do the normal ornament thing of sewing together the stitching and the backing right sides in and then turning it inside out and stuffing it, because the stuffing will come out through the cut parts. (Depending on the design this may actually be quite effective; a fluffy Hardanger lamb or bunny?) But if you try to sew the Hardanger, lining and backing together in one go, you can’t see where to stitch as the project will be sandwiched between the other two layers of fabric. So I first attached the silver lamé lining to the Hardanger with running stitch, then used the running stitch as a guide for sewing it to the backing (making sure to insert a ribbon in the appropriate place, the loop pointing inwards; there’s a lot to remember for an inexperienced ornament maker…). For one of the ornaments I sewed wadding to it at the same time – here is the resulting sandwich.

All the layers of the ornament stitched together

Oh, and remember to leave a big enough gap for turning the ornament inside out. You really do not want to see your precious Hardanger like this:

Turning the ornament inside out through a small opening

Anyway, encouraged by having produced a quartet of perfectly respectable ornaments, I moved on to frames. My husband and I were in Coventry last Saturday for a recording of Songs of Praise (I’m in the second row among the tenors, wearing a green jumper) and as we got there early we went into town for a bit, where in one of the charity shops I found two square frames in a pleasant distressed blue shade for a pound each. These were added to my stock of second-hand and bargain frames, to be used at some future date. Yesterday I decided the future date had arrived, and framed one of the Gingham Gems, the smaller Frozen Flower, and the smaller Flodgarry.

One of the Gingham Gems (I) framed The smaller Frozen Flower framed The smaller Flodgarry framed

Feeling terribly virtuous, I can now go back again to turning things into unadventurous-but-useful cards and coasters for a while smiley.

An end to buttonholing, and some ornament-making with a purpose

In October 2013 I started stitching what was to be a set of three designs. Three months later I completed the 18th design in the series. And now, a little over a year after putting the final stitch into “9b: Holly”, Floral Lace has finally been properly finished – backed with felt and with a buttonhole edge scalloped on the inside they are ready to be… well, what? Not coasters; the beads would make anything put on them wobble, and they won’t fit into my trusty acrylic coasters so the stitching is unprotected and I’d live in constant dread of getting coffee or tea on them. They’re not really big enough to be decorative mats. They could be stitched onto cushions or a quilt, but that seems rather a waste of the nicely finished back. If anyone has any workable suggestions, do let me know!

18 Floral Laces all buttonholed

Rather exciting – a needlework magazine has shown an interest in one of my designs, but they’ve asked for a bit of tweaking and for the finished projects to be made into ornaments, so that’s my next task. I’ll start stitching the tweaked design tonight, and with a bit of luck will be able to do the ornament-making over the weekend. That part of it may be a bit of a challenge…

Christmas craft, twice

Last Saturday afternoon Dunchurch Junior School was buzzing with the excitement of the 2014 DBC Christmas Craft Event; more than 60 children came and made penguin wise men, gift bags, Christmas cards, sparkly candle holders, and of course stitched bookmarks!

Children stitching at the Christmas Craft event

The design this year was much freer than usual – the children were given a kit with a pinked blue felt bookmark, black sticky felt to tidy up the back after stitching, 5 silver and gold star sequins, stranded cotton (blue, red or green) to attach them wherever they liked, and white, yellow, red and green crochet cotton to embellish the rest of the bookmark with letters, lines, holly leaves or whatever else took their fancy, either drawn on with gel pen or freehand. And boy did it unleash their creativity! Nimble fingers produced letters of all shapes and sizes, a great variety of constellations, satin stitch berries and even a Christmas tree.

Ruby's bookmark

Alex's bookmark

Bookmark by a girl whose name I don't know

Erin's bookmark

Katie's bookmark for her friend Sophie

I didn’t take a picture of one impressive bookmark produced at my table that day: young James put a star in each of the corners and then traced a big J in running stitch. It was the very first stitching he had ever done. Well done him! Can you imagine how proud (and surprised) his mum was?

My second Christmas craft has a rather more immediate deadline than I intended. Last year I forgot to bring cards to our stitching group’s Christmas lunch, and promised I’d make up for it by giving them all a hand-stitched card this year. That’s 12 cards. And our Christmas lunch is not next Wednesday, as I blissfully thought, but this Wednesday. I’ve got some speedy stitching to do…

Cards and Caron threads for the stitching group's Christmas cards

P.S. I’m rethinking the double cable stitch border on Orpheus, which looks as though it might make the centre a bit too crowded; the single cable stitch I’ve done so far (with small bits of double) may well be enough.

Lacing

My stitching task for today was not stitching as such – I decided to lace the two larger Extravorganzas (the smaller ones have already been mounted in cards). Lacing is a neat finish, convenient for display and ready for framing should I decide to later, but it does take quite a bit of time and effort. However it’s also quite relaxing, in a way, so quite a good activity for a dreary Saturday afternoon.

As the organza backing is so much part of these designs, I decided to play around a bit with them, and for Extravorganza 2 I cut the orange organza into a rough floral shape large enough to cover the cut area, then backed it with yellow felt for extra brilliance. The orange shape very subtly shines through the fabric and forms a sort of ghostly frame around the stitching. It was a bit of a gamble, but I think the effect is quite, well, effective smiley.

Extravorganza 2, laced and with its shaped organza backing

For number one, in purple, I wanted a black background behind the whole thing. In itself not difficult, as I’d just got some black adhesive felt which was easily attached to the foam board (kindly cut to size by my helpful husband, who is much more dextrous with a Stanley knife than I am). Unfortunately, though unsurprisingly considering how diaphanous it is, this made the purple organza look black too. White felt to the rescue! A patch the shape and size of the cut area, covered by the organza, made the holes show up a pretty purple while maintaining a uniform dark background for the rest of the fabric.

If you’ve never laced embroidery before you may wonder what the effort is I was referring to. There are plenty of very good tutorials out there on the web (none of which I have bookmarked to share with you I’m afraid) so I’m not going to write one here, but just jot down a few notes with some pictures.

First cut your board to size; I use foam board for the very simple reason that I was offered a few sheets for free by someone who had some left over. In order to soften the lines I usually cover it with felt first, either adhesive or plain. This also means I can have different coloured backgrounds depending on what I’m lacing. Place the stitching over it and make sure it is centred, then stick a pin in the centre of each edge. Pulling the fabric straight, keep adding pins until the fabric is evenly stretched (left-hand picture). Using a strong sewing thread, lace two opposing sides by zigzagging; stagger the stitches so the fabric doesn’t get pulled apart (right-hand picture). When I’ve laced one direction I go over the threads from the beginning, pulling them taut, and it’s surprising how much slack there is in threads you thought you’d pulled quite tight!

The stitching is pinned to the foam board on all sides

Lacing the first two sides together

I hate doing corners, as I can never get them as neat as I would like. Still, they have to be done, so I cut a triangle off each corner and fold them as best I can, then secure them with pins. Lace the other two sides, take the pins out, and secure the corners with a few small stitches (left-hand picture). Check it looks OK at the front (and as undoing everything is a major pain I hardly ever decide it doesn’t…), and remove all the pins (middle and right-hand pictures). And there you have it, one laced piece of needlework and one needleworker glowing with a sense of achievement.

Corners tucked in and secured, and all sides laced

Does the front look OK?

Pins removed, all neat and tidy

Having finished Extravorganza there was one other thing to do – put the fabric for Orpheus on a frame. I’m looking forward to some more Ukrainian white work (even though in this case it’s orange…)

Orpheus ready to go

Notes on a simplified coaster

Right, so I’ve been doing some coaster stitching (it’s remarkable how much you can get done in a hospital waiting room, on the London Underground, or at an Austin Seven auction!) to try out my various ideas for quick-to-stitch coasters for charity. Definitely stick with the smaller central cut motif – it really is very versatile, and makes for a nice lacy, Hardanger-y look without too much cutting or bar wrapping.

First I tried the design without a coloured border (I also left out the four stitches in the corners of the Hardanger motif). It’s probably a matter of taste, but to me it just doesn’t look quite right; it’s not defined enough. It’s also a little on the small side. Both problems were addressed by adding a simple coloured cross stitch border, and I do think it looks more complete that way, but perhaps a little too big. Also the leaf stitch seems a bit too chunky for the smaller central motif, although their shape, as always, is very pleasing, and the whole thing did actually look OK once I put it in its coaster. I do like the effect of using Caron Wildflowers thread for the wrapped bars and picots; it adds a nice splash of colour to the centre. I’ll keep this design as a possible – not ideal, but definitely usable.

Simplified design without border

Simplified design with border

Keep those coloured picots, then, and back to the drawing board for the other bits. Using a smaller corner motif means we can move the border in by a few threads, bringing the whole design down to 60 stitches square while retaining that finished feel of a coloured frame holding the whole design together. But can I do something a bit different from simple crosses? How about a little “bird’s foot” of three stitches? I decided to try it out using some of that stunningly colourful Threadworx perle called Bradley’s Balloons. The chain stitch diamond and the border certainly looked very cheerful, and the smaller heart motifs in the corners worked well too, but I felt the thread was just a little too bright for wrapped bars and picots. Cheerful and bright is good, but we don’t want to produce coasters that are a health hazard to the eyes. So for this one I decided to go with white wrapped bars and coloured sunburst. Future coasters will use slightly more muted threads.

Simplified design with border and hearts

And another thing, not everyone likes hearts. Some people actively dislike hearts. (In designs, that is. I assume they have nothing against them biologically.) Coasters, like bookmarks, are useful presents to give to men, or so I’ve been told by several ladies who confessed it was almost impossible to buy presents for their menfolk; but people might feel coasters with hearts make less suitable man presents. An alternative design was therefore called for, about the size of the hearts but of a different shape. I decided on three small satin stitch leaves. While charting this variation I also lengthened the middle “toe” in the bird’s foot border, just to see what that would look like. Well, it looks like this smiley:

Simplified design with border and small leaves

I like both these designs, and will very likely use them alternately – hearts and small leaves, picots and sunbursts and spider’s webs. Of the borders I have a definite preference for the long-toed one. One day I will also try solid colours, to see if the coasters still look pretty and decorative when using standard, non-variegated threads (but with so many lovely variegated threads to choose from, it may be a while before I get round to the solids…). And, because recently I’ve got kits on the brain, I’m having a look at which design and which threads would work best for a coaster kit, and whether to include one or two coasters. Plus, of course, whether I can put them together for a price people are willing to pay while still making a bit of profit!

Preparing for the Christmas Craft Event

Another November, another Christmas Craft Event – I don’t know how many of these Dunchurch Baptist Church has organised over the years, but this is my ninth. Perhaps I should start recycling craft projects instead of trying to come up with a new one every year! On the other hand, thinking up new projects is fun, so perhaps I’ll wait until I’ve got a back catalogue of at least ten projects before dipping into it for future events.

Bookmarks having featured rather largely in my stitching recently I thought I’d put together another one for this occasion. Not a Hardanger one, obviously, as it needs to be one of a number of crafts the children cram into two hours; and as all the children are under twelve and many of the ones ending up at my table are 7 or 8, it needs to be something relatively easy so they can all complete it (with a little help from mum or dad or gran if necessary).

Rummaging through my stash I found some star sequins and crochet cotton in various shades, as well as scraps of felt both plain and sticky-backed. Cut the felt with pinking shears, put it all together and you get two varieties of bookmark – with a name worked in whipped running stitch, or with a running stitch holly leaf and and whipped berries. The sticky felt is cut smaller and used to cover up the back of the stitching, adding some stiffness in the process. (I need to buy some more of it, and will probably go for black as it’s more neutral than green, so I’ll be able to use it for other things as well.)

2014 Christmas Craft Event - bookmarks 2014 Christmas Craft Event - bookmarks

Aesthetically I suppose the holly version would look nicer with a fly stitch leaf and satin stitch berries, but we simply don’t have the time – I have to remember it’s not a class, and anything they learn has to be picked up on the fly. But the bookmarks are decorative, they’ll make lovely gifts, and they will be something of which they can say proudly, “I made that!”