Welsh inspiration

Almost every year my husband and I travel to Wales for a weekend around the end of March, to participate in the rally organised by the Light Car & Edwardian Section of the Vintage Sports-Car Club (usually sensibly abbreviated to LC&ES). We all meet up on the Friday, do a navigation rally on the Saturday, and there is a trial (a type of competition) on the Sunday at which we generally marshal. It’s not like some events where people dress up in period clothing, but a few years ago I couldn’t resist smiley.

The Welsh rally in 2016

That’s our 1925 Austin 7 Chummy. Unfortunately it is in need of a lot of TLC at the moment, so our transport this year was a bit grander – here she is with Eldest and his bride last year (Lily the Lagonda does make a splendid wedding vehicle). My mother used to say the car made her feel like royalty, so that it felt almost compulsory to wave graciously as you pass people.

Our transport for this year (minus bride and groom)

We’re usually dressed up in waterproofs and/or thermals (it’s not exactly warm in an open car in Wales in March) so I’m afraid we don’t really live up to Lily’s glamour, but that doesn’t dampen our enjoyment! The rain sometimes does… this year, however, we were exceptionally lucky with the weather.

With Lily the Lagonda at Usk reservoir

You may wonder what any of this has to do with stitching. Well, the Welsh rally splendidly demonstrates how all sorts of things can inspire an embroidery design. Some years ago, for example, we passed several banks of blackthorn on our way there. They had only just come out, their blossom pristine and white, like a frothy wave or yards and yards of crumpled up lace. I sketched a few ideas, and the result was Blackthorn.

Blackthorn

The rally is based in Llandrindod Wells, and every year on the Sunday morning we go to early morning Communion at the local church before rejoining the vintage car gang to help at the trial. The vicar and several members of the congregation know us by now, and we joke that we’re regulars at Holy Trinity – we attend regularly once a year.

As is usual, we are always handed a service sheet, and last year I noticed for the first time a line drawing of a Celtic cross on the front. The shape appealed to me, and I took the sheet with me. Back home that evening I made some sketches and scribbled a few notes, and over the months various ideas were added. Possibly partly because of the rather rough lines of the drawing I got the impression it was based on a stone cross, but from the start I envisaged it with colour in it, and possibly goldwork. It wasn’t until a week or so ago that I took my drawing and tentatively put some facets into some of the shapes. I liked the effect, and a jewelled cross called “Llandrindod” was born! (This year the vicar explained to me that the cross is the logo of the Church in Wales in general, not of their parish in particular, but to me it will always be associated with Llandrindod Wells.)

The colour model for Llandrindod

Some of the colours I’d picked were similar to the ones in Soli Deo Gloria, so that was easy – I had the Soie d’Alger colours to hand! I didn’t really want to try and find the right shades for the emerald and the diamond, remembering the trouble I had just to get the right blue dye lot recently, so I had a rummage in my collection of Rainbow Gallery’s Splendor silk, and found some that would do very well. A few shades of Petite Treasure Braid will add a bit of sparkle.

Materials chosen and design transferred

And here is the project in progress! The centre of the gems will be done in padded satin stitch, and in the picture below the outlining and about half of the padding has been done but the top layers are as yet missing. That is because I wanted to take the cross to Llandrindod to show to the vicar, and I wanted it to have some more colour than just the light gold of the four quarter circles (which would normally be the first bits to be stitched). It also made for a good travel project that way – the split stitch outlines were done at home before we left, so I could fill in the padding without the need for magnification or special lighting, as it doesn’t have to be particularly precise (well, not as precise as the top stitching, anyway).

Llandrindod in progress

Often when I take a travel project (and I’m sure many of you will recognise this) I come home with it looking exactly as it did when we left, but this time I actually had time for some embroidery – while acting as Driving Standards Observers on the Saturday rally there were several lulls, during which I could put in a few quick padding stitches. And how is this for a stitching spot smiley?

An unusual stitching spot

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