A stained unicorn and the benefit of hindsight

Wool Hengest is coming on well, but he is eating wool at a rate of knots. I haven’t done that much stitching in crewel wool, and nothing that was completely covered in split stitch, so I didn’t really have a realistic idea of how much wool would be needed. I got two skeins of Arctic White but hardly expected I’d need the second skein. Well, I do. Here is Hengest after one complete skein has gone into him.

Hengest after one skein of white

I was all set to start the second skein, when disaster struck! No, don’t worry – no-one’s injured, our house is still standing, the cat’s fine. It was a disaster in stitching terms only. And it was one of my own making.

The hoop I bought for this project is a simple 8″ wooden hoop. It works just fine, but there were some rough patches on the outside of the outer ring which occasionally caught the wool and fluffed it up. So I asked my husband for some sandpaper to rub it smooth, he got me some of the finer paper in his collection, and I set to. Carefully pulling the fabric out of the way I sanded the offending bits, which took only a few rubs – the roughness really wasn’t very bad, only occasionally just annoying enough for me to want to do something about it. I made sure I wasn’t accidentally sanding the fabric, but otherwise I was more concerned with keeping any sawdust away from my nose and mouth, as I’m allergic to the stuff.

After a while I could rub my finger along the hoop without encountering any noticeable roughness, so I put the sandpaper down on the kitchen table and took the hoop back into the sitting room. It was only then that I looked at the fabric. And gasped.

Hengest feels blue

The picture above actually shows the stain after I had already brushed some of it off the fabric – it originally showed a bright azure spot where there is only a smudge in the photograph. What had happened? Well, the piece of sandpaper, which was fairly long and narrow, had some sort of blue powdery residue on one side of one of its shorter edges which neither my husband or I had noticed, and this had flopped over while I was sanding and deposited some of its powdery blueness on Hengest.

Of course I was extremely wise after the event, and told myself that what I should have done was take the fabric out of the hoop before sanding, but I’ve got it so nicely hooped up, all snug and at just the tension I like, that I didn’t want to disturb it, so I left it in and there it was. I was by now feeling more blue than the unicorn, but there was very little to be gained by What Ifs, so I got on with seeing whether the thing could be salvaged. A good brushing removed all the blue from the fabric, but the wool proved to be more resistant to my ministrations. Having brushed it to within an inch of its life, it looked decidedly more fluffy but still faintly blue.

Remnants of blue

There was no help for it, some of the stitching would have to come out. As it happens the worst affected stitches were actually at the start of a new thread, so I unpicked the two rows of split stitch nearest the edge. And I can tell you now that unpicking split stitch is not something I would recommend as relaxation therapy. Because the threads are split, you can’t unpick it all from the front – it has to be done half a stitch at a time, and as I occasionally put in random stitches to fill in gaps where the rows aren’t quite close enough together some of it was rather like unravelling a mystery looking for clues (which word, incidentally, comes from “clewe” meaning ball of thread; rather appropriate).

Having unpicked those two rows I wasn’t completely happy with the previous couple of rows; depending on the light they varied from white to probably OK to definitely blueish. And part of the idea behind Hengest is that the whiteness of his body contrasts with the pale pastels of his spots; having part of his body (a small part, but a part nonetheless) pale blue would rather defeat that aim. To be on the safe side, I took those rows out as well.

Blue or not? A clean start

While I was at it I then upicked a small section right at the top of his neck where I didn’t like the stitch direction; I replaced it with satin stitch because with the new stitch direction it was a bit narrow to fit in more than one split stitch per row.

The stitch direction I didn't like New satin stitch

And so after all that, and a day on which I had hoped to get through half the second skein and finish Hengest’s body or perhaps even his head, here is where I am: pretty much back where I started. But – with no blue! And tomorrow it’s my weekly embroidery group, where in between chat and tea I’ll had a stab (pun intended) at getting that body finished; all the time reminding myself that this is a project purely for my own enjoyment, so that it doesn’t matter if he doesn’t get finished until next year. Relax smiley.

Progress...

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