Would you believe it, I found I had six more tags than I thought – so I can do 16 bookmarks before having to think of ordering more! Here are the six different colours all made into bookmarks, and the first three bookmarks to use sunburst stitch instead of dove’s eye.
More about the sunburst stitch later, but first the tags. It’s been really enjoyable making these bookmarks, and I’d love to make some more, but there are a few things to consider before I put my order in. First of all, much as I love these bookmarks, will other people love them enough to buy them? After all, they are meant to raise money for charity. Secondly, are all colours equal? Are the pink bookmarks going to appeal as widely as the dark blue or purple ones? And what about that unknown green? Thirdly, am I or am I not going to produce Felt Bookmark Kits? I’m tempted to put together at least one set of twelve, as my project for next year’s Knitting & Stitching Show – it would make a nice change from the needle books, which I will have used twice already by then. Fourthly, how many do I get? The difference between an order of 16 and an order of 60 is 8p per tag. And finally (and rather importantly), are the tags up to the task?
There is a reason for that last question. You may remember that one problem was that the little hole in the tag (or rather, the felt around the hole) wasn’t strong enough to hold the tassel; but that could be got round by trimming the tag and taking the tassel through with a large-eyed needle. A bigger worry is that, being hand-made, the felt isn’t equally thick throughout. In most of the sixteen tags that I have the irregularity isn’t big enough to matter, but in at least one it looks as though over time and with a fair bit of use it may start to come apart.
Now this was just one out of sixteen; and it will probably be all right. But if I were using these tags to make up kits, I’d probably choose to discard this one as not being up to scratch, which means the money spent on that tag has been wasted. So here’s what I’ll do: write to Blooming Felt (who have been very helpful in answering my previous questions) and ask whether there is a way of guaranteeing that I’ll get only usable tags, and then place an order for sixteen (the maximum number I can get at their lowest postage) including one Apple Green.
I promised you more about the sunburst stitch and here it is – my experiments with different bars. The easiest one to work is the sunburst in woven bars, and it looks great when the sunburst is worked in colour against white bars (1st picture). White on white it gets a bit cluttered, even though I pulled the woven bars quite tightly so they were thinner than usual (2nd picture). Working a sunburst in wrapped (3rd picture) and double wrapped bars (4th picture) is more fiddly, because the loops around the bars aren’t anchored (with woven bars the loops go through the bars rather than around them, so they stay put). This makes the double wrapped version more effort than it’s worth as it really isn’t any less cluttered than the woven bar version, which is much easier to work. That leaves the wrapped bar version, which is the one I will go for if these do make it into kits – a bit more work, but a nice open, airy look.
I think the sunburst stitch does two different things, depending on the initial needleweaving. The first two, anchored into woven bars, looks like a sun, the coloured one more so, perhaps. I’d try these in 12 rather than 8? But the ones around the wrapped bars give a different feel. Much more flowery, lighter somehow, with more movement. Tension is very important, isn’t it. I can see that the trick is keeping them in place properly as you work around — especially if using a particularly long bit of thread.
Yes, I agree – when I first made up the sunburst it was in colour on white, and it does look like a little sun with rays,which is why I gave it that name. Working the white-on-white version in #12 would certainly reduce the bulkiness, I must try that and see what the effect is.
As for the version in wrapped bars, at first I didn’t like it as much because you lose that sun effect, but I suppose I just need to look at it in its own right. The trick is not to get the tension too tight or it practically disappears as it sits right up against the bars; you need to be thoroughly relaxed and laid-back while working this one :-).