A panic project

After several months spent stitching mostly for the Song of the Weather SAL, I felt I’d like to get my teeth into something a little bigger for a change, so I got out my 12″ hoop and the chart for Walled Garden. It’s stitched with nothing but Caron threads (and some beads), and I love the way they look together on that empty and expectant fabric.

Fabric & threads for Walled Garden

Last Sunday I was putting together a project folder for it so I could take it to my stitching group on Monday, when realisation dawned on me and panic set in – it was less than a week to my father-in-law’s 90th birthday, and not a single stitch had been worked on his birthday card yet! The Walled Garden project folder was abandoned, and I charted “90” using 1-2-3 and my husband picked a shade of Caron thread to suit his father’s taste: 236 Appalachia, a striking combination of green, purple and blue. Thinking it might get a bit too psychedelic if I used it for the border as well as the numbers, I looked for a slightly calmer shade to match it, and found it in an orphaned bobbin of Impressions (Caron’s silk/wool mix) 66 Jade. In fact they go so well together that I may have to add a skein of Watercolours and Wildflowers in that shade to my collection!

For the border I decided on four-sided stitch embellished with beads (a combination I may well add to the 1-2-3 chart pack as it looks quite effective). Unfortunately the number of squares in the border meant I couldn’t do alternate beads, nor a bead every 3 or 4 squares; and a bead in every square would just be too much. Some furious mental arithmetic and pencil scribbling resulted in a sequence of 2 beads followed by 3 empty squares, with a slight variation in the corners.

At one point yesterday I sincerely wished I’d never thought of including beads – on my way home from stitching group the bead container came undone, spilling its entire contents into every nook and cranny of the project folder and the cotton bag I was transporting it in. There are a lot of beads even in a tiny container. But with the help of my husband and fortified with a mug of tea I managed to round them all up, and apart from the ones now adorning the four-sided stitch border they are all safely back in my bead tin.

Now all that remains to be done is the cutting and the bars and filling stitches. For the latter Petite Treasure Braid seemed a nice festive touch – but which one? Gold or Silver? A straw poll at the stitching group ended in a draw, so I’ll mull it over for a bit; for now I have a vague preference for silver, possibly because of the blues in the thread and the bright white fabric. I’ll post the final version some time after the weekend, but here is the uncut version.

A 90th Birthday card

Great customer service from Treenway

Last time I told you I’d had a reply from Treenway Silks – I’d asked for some advice about their colour range. They do a variety of gorgeous silks, but the ones which are most useful for Hardanger are their 8/2 Reeled Silk and Fine Cord. The latter is a tight buttonhole twist which gives a beautiful texture to Hardanger when used instead of a #8 perle. According to the Treenway website, the 8/2 is equivalent to a perle #3 but I have successfully used it as a substitute for perle #5; as it is not so twisted it doesn’t have the texture of perle, but it more than makes up for that by its lovely lustrous sheen. You can see the effect of these threads in two little experiments I did some time ago; the first one uses 8/2 combined with 20/2 (a spun silk about the thickness of perle #8), the second uses 8/2 and Fine Cord.

Treenway 8/2 and Fine Cord (St Thomas)
Treenway 8/2 (Hollyhock) and 20/2 (Pomegranate)

Treenway’s threads and silk ribbons (did I mention they do silk ribbons?) come in 53 solid colours, which are very beautiful, and a number of variegated colours, which are stunning. Unfortunately, although the Fine Cord comes in all 70-odd variegated colours, the 8/2 doesn’t. This made it a little difficult to find a pair of shades for the Stitch-Along, especially as I had previously bought threads in the shades St Thomas and Daylily, and for preference I’d like to buy shades that would go with one of them.

There was an added difficulty: how do you decide on pairs of variegated shades when you can only see them separately on a computer screen? So I wrote to Treenway explaining what I was looking for and what I already had, and their reply was a model of customer service. Susan went far above and beyond the call of duty – she put together all the colours I mentioned, plus several which she thought might work, and photographed them side by side, with several skeins of the colours I already had interspersed so I could see how they looked together!

Treenway's colour comparison picture for St Thomas
Treenway's colour comparison picture for Daylily

I have just sent in my order; with the cheapest postage option, so it may be a while until they’re here, but when they arrive I’ll post a picture. Which shades do you think I’ve gone for?

Goodies from the postman – and a digital snag

Both the digital postman and the real-life postwoman came up with the goods today – more about Treenway’s email later, but I thought I’d show you some of the pretty threads I got to play with. The two on the left are DMC Variations; Sam D used them in her January and I thought they looked so nice I’d treat myself to them. In the middle are my new Tamar Embroideries threads, together with two that I got before (on the bobbins) which go with these new ones. I haven’t decided whether to use the blue/sage or the fuchsia for the SAL – perhaps I’ll use both! The threads on the right are Weeks Dye Works perle #8; the Little Thread Shop, who are very helpful and offer many hand-dyed threads at very good prices, unfortunately only stock WDW’s perle #5, so I got the #8 from Sew & So with the Variations perles. As usual, they got the threads to me in double quick time – I like supporting local shops and small businesses, but of the big online suppliers, Sew & So definitely get my vote!

Various threads for the SAL

Not quite stash, but very welcome nonetheless, was a parcel from PhotoBox. They had a special offer of 60 prints for p&p only, so I got some cover pictures for the Mini Kits. I usually print them out myself as part of the chart packs, but I thought it would look rather better with a professionally printed picture on the front.

Cover pictures for the mini kits

And the digital snag? It’s my camera playing up in a most annoying way. I’m working on March at the moment for the SAL, and it is stitched on coloured fabric – and my camera simply will not focus properly to photograph it, especially when I try to get a close-up view of particular stitches. The fabric is, admittedly, a touch on the bright side, but even so it really shouldn’t be so fussy. As it is, it looks like I’ll have to stitch March a third time, in colours that won’t confuse my poor camera!

Waiting for the postman, real and digital

Having stitched all twelve of the Song of the Weather designs in blue and white standard perles, working out thread requirements and seeing whether stitches worked together, I am now stitching them all again using a variety of threads and fabrics. There are several reasons for this.

  • It was difficult to take pictures of tricky parts when I stitched them first time round, because I wasn’t quite sure yet what the tricky parts were;
  • As people have different fabric preferences it is useful to show what the projects look like on different counts;
  • The first version shows what you can do on a limited budget, the second will give options for those wishing to expand their thread repertoire;
  • And finally, any excuse to play with my collection of hand-dyed and other speciality threads smiley!

One problem is that it can be difficult – not to say downright impossible sometimes – to pick two shades that will work together if you can only see them on a computer monitor. I have one or two threads in my stash which bear witness to the fact that what looks irresistible on-screen can look less than enchanting in real life. Most sellers, however, are quite happy to give advice; I remember getting shades of Splendor silk together for Papillon’s “Quaker Gameboard” and Bobbie at Stitching Bits & Bobs helping me out by checking them against DMC shades.

So I’m waiting for the digital postman to bring me word from Treenway Silks, whose delectable silks are a joy to work with and who have created some of the prettiest variegated threads I have ever seen, and I am also waiting for the real-life postwoman to bring me two types of Tamar Embroideries’ hand-dyed cottons in three shades, some Caron threads and Weeks Dye Works perle #5 and #8 in four shades. Lots of lovely things to look forward to!

Obviously I haven’t got pictures of all these lovely goodies yet, but I’ll show you a combination I’m hoping to use for something or other soon. It’s standard DMC perle 815 in combination with Treenway’s Fine Cord, shade “Tangiers”, probably to be used on dark red fabric, possibly with silk ribbon in the same shade as the Fine Cord – yum!

DMC perle 815 & Treenway Fine Cord Tangiers

A URL and more Guildhouse stitching

One of the online shops I get supplies from is the Hardanger Atelier in the Netherlands. Their web address is hardanger.nl, which is pretty neat, and I remarked to my husband that they must have been quick to get such a good address. At which point he said “what about hardanger.co.uk?” I had to admit I’d never even looked, because surely that one must have been snapped up years ago by any of the big Hardanger designers or suppliers. “Go on,” he said. “Have a look.”

I did. And it was available! So now, if you type hardanger.co.uk into your browser’s address bar, you see Mabel’s Fancies – are you impressed smiley?

Apart from playing with URLs I’ve also been stitching for the next course I hope to teach at the Percival Guildhouse – or rather a pair of courses, each five weeks, one starting in April and one in September. These will be Hardanger only rather than mixed techniques, and the idea is to start with a Beginners / Refresher course, followed by an Improvers course if there is enough interest. Precise dates and times will be on the Workshops page as soon as I know them.

For the first course I wanted to start with a non-cut piece, much like the Stitch-Along, to get people used to Kloster blocks and satin stitch and so on before having to worry about cutting bits out of their stitching, which can seem a bit daunting when you’ve never done it before. Some of the projects I intend to use will be based on existing designs, but this one was designed especially for the course.

Non-cut Hardanger for the 2013 Guildhouse course

The other model I’ve been working on comes right at the other end – the last project of the second course. One of the things I want to explore in the Improvers course is working on hand-dyed fabric in various counts, ending with a 28ct Lugana. Hand-dyeds usually shrink a bit, so that in effect we’ll be working on 29/30ct. The Mini Kit bookmark was a perfect ready-made design to try out different combinations of perle, so that the students end up with a sampler they can keep for future reference, but also use. I worked the model on one of my Sparklies samples, stretched onto a little bar frame. As you can see it was a bit of a tight fit …

Using a Sparklies sample It's a bit of a squeeze!

The top motif is worked in perle #5 and #12, the middle one in #8 and #12, and the bottom one in #5 and #8. Every stitcher has a different tension, and different preferences, so this will help them decide which combination works for them on 28ct and finer.

Bookmark for the 2013 Guildhouse course Felt backing attached to the four-sided edging

Over the weekend I’ll be stitching some more for the SAL (with my husband standing by to take pictures of tricky stitches for the SAL blog) and hopefully a bit more for the Guildhouse as well. It’s the European Speed Skating Championships, so I’ll be cheering on the Dutch skaters, consuming vast quantities of tea and Dutch biscuits, stitching away all the while. Bliss!

A Song of the Weather and a speedy stitcher

Happy new year! Mine started rather nervously at 8pm this morning as I was still busily writing the SAL blog, editing the pictures for it and getting everything ready to launch the Song of the Weather Stitch-Along (abbreviated by some to SotW). Yes, the SAL is now live! and on the whole it all seems to work, although some SAL stitchers have contacted me to say they are having trouble downloading the chart pack. I’ll reply to the emails individually, but just in case others run into problems as well, here’s how it works:

  • Go to the SAL blog. When prompted, fill in the password you were sent in your Welcome email.
  • Click on the link for January (just above the Comments)
  • At the top of the January page it says “Download the January chart pack”. Click on the word January to start the download process.
  • You will now be asked for a Username and a Month Code. Your username is the one sent to you in your Welcome email (so NOT the one you chose to register with Flights of Fancy, if that is different). The Month Code is in the email sent to you this morning.
  • Click on Enter. The download should now begin. If you continue to have problems, email me and if all else fails I will send you the chart pack by email.

Fortunately it seems to work for most people, and one stitcher got so carried away that she finished the whole design in one sitting! Take a bow, Amanda – your version of SotW-January is the first to join Mabel’s stitched model in the SAL gallery.