Some years ago I bought a grab bag of odds and ends from Treenway Silks, a Canadian company selling hand-dyed silks. They have since changed owners and moved to America, but the silks are still gorgeous, and the people are very helpful.
In their range of silks there are three which are of interest to any Hardangerers out there (a lovely term coined by Midge of the Cross Stitch Forum) – from thin to thick they are Fine Cord Reeled Silk, 20/2 Spun Silk and 8/2 Reeled Silk. Should you wonder, reeled or filament silk is taken from the cocoon in one unbroken thread, which can be combined and twisted to make a thicker thread; spun silk is made from shorter fibres, for example the ones from cocoons from which the moth has emerged, or from the leftovers of reeled silk. Reeled silk is stronger, less prone to fuzziness and fraying (so longer threads can be used), and generally shinier (although that depends also on whether it is flat or twisted).
Treenway describe these three types of thread as being equivalent to a buttonhole twist, #8 perle and #3 perle. I’ve not yet worked out what exactly a buttonhole twist is, but the few threads I’ve seen which go by that name seem to be tightly twisted perle threads somewhere between #8 and #12. Treenway’s #3 thread is interesting in that at first glance it is not very perle-like as it doesn’t have a very strong twist, and it doesn’t look nearly as thick as a #3; in fact, it looks more like a very slightly more chunky #5. So I decided to try it for Kloster blocks, with the 20/2 silk for the other stitches.
Like some other thick silks and also Caron Watercolours, the effect of the Kloster blocks is less textural than with a perle cotton, or a tightly twisted silk perle like Gloriana, but I rather like the look of these blocks with their five stitches almost blending into each other. Coverage is great, as you would expect from a thicker-than-#5 thread, and not too bulky. The 20/2 works well as a #8 substitute, but feels a little thicker. I didn’t stitch the little backstitch motifs in this experiment, but I think the thread would have been a little too thick for them to be well-defined.
Would the Fine Cord perhaps work better? At this point I only had the grab-bag threads, so it wasn’t easy to find pairs of threads that would go together, but I managed to find a green 20/2 and a variegated green Fine Cord which made a usable combination. Having to use the thinner of the "perles" for the Kloster blocks meant using a finer fabric, so I tried this combination on 28ct.
As you can see, the 20/2 is not quite thick enough to give good coverage in the Kloster blocks, even on 28ct. It’s just about acceptable, but cut ends keep poking out. The Fine Cord is gorgeous – easy to work with and what a lovely shine!
Ideally, then, I’d use the 8/2 silk and the Fine Cord together on 25ct (and they’d probably work fine on 22ct as well). There was one problem: the grab bag had not contained any of these that would go together. Oh dear. It looked like I’d have to buy a few colours just to experiment with …
I did (bet that didn’t surprise you). I got two sets of 8/2 and Fine Cord, plus a single Fine Cord in their delectable shade Tangiers to use on one of the Round Dozen. And here is the result (this shade is St Thomas):
Like most silks, especially hand-dyed ones, these threads aren’t cheap. But for a special project, or as a treat to yourself, they are just perfect.