Workshops, a squirrel, a medieval tulip and some kits

Well, the Knitting & Stitching Show is over for another year, and I am back home (in spite of rail upheaval at Euston Station on Saturday), nursing slightly sore feet from all the walking I did outside Show hours (London is full of interesting green spaces!) and being on my feet throughout the four workshops. They all went well, with lots of positive feedback which is always tremendously encouraging. I usually try and take pictures of some of the students’ work, but I’m afraid I forgot most of the time; here are a few pictures just to give you an impression, including the rather colourful demonstration cloth I ended up with.

Appliqué Mug workshop Wildflower Garden workshop Wildflower Garden workshop No Place Like Home workshop
No Place Like Home workshop A participant's project A participant's project A colourful doodle cloth

One thing I will mention to the organisers in my own feedback is the lighting; you would have thought that at something called the Knitting & Stitching Show the setter-uppers (or at least the people deciding on the set-up) would realise the importance of good, bright and even lighting. Instead there were usually two extremely bright lights shining down from the middle of the left and right sides of the workshop booth, which meant that about four seats had splendid light but the further you got from those the dimmer it got. Dim, I mean, by stitching standards. Still, we managed, and most of the students got a fair way with their projects (the pictures above were taken some time before the end of the class).

Of course I had a good look around the show as well, and I saw some lovely kits, silk threads and goldwork stuff but restrained myself from adding either to my already tottering pile of WIPs or to my bulging thread containers. I contented myself with a spool of Madeira Lana in a variegated light green and a bobbin of Golden Hinde’s translucent couching thread in a muted gold (shown in the picture beneath two shades I already had), and felt very virtuous.

2019 Knitting & Stitching Show purchases

As I said I did a lot of walking when I wasn’t at the show, and besides coming across a man walking backwards in Highgate Wood (no, I didn’t ask him why) there was the excitement of being mugged by a squirrel in Holland Park. I’m not sure whether it could smell that I had chocolates in my bag, but it was definitely intending to have a look!

Mugged by a squirrel Bag check

On that same day I also visited Leighton House, where I unexpectedly learnt a bit more about my travel project.

Some time ago I came across a medieval Islamic tile in a museum. It was a bit of a chance find, because it was in one of the drawers underneath the display cases and I only opened a few of those. It was blue and white and it had a tulip on it – irresistible, even though it wasn’t from Delft smiley! As a friend later reminded me, tulips hadn’t made it to Western Europe at that time, but they were known in Persia and neighbouring areas. Well, wherever it was from, it was a very decorative design that just cried out to be stitched. The blobs and dots surrounding the circle in which the tulip sat were a bit irregular, so I evened them out, and also changed the white circles within the blue areas a bit. And because it’s small and only takes three colours, I thought it would make an ideal travel project to take with me to London. I even managed to do some work on it!

The tulip design based on a medieval ceramic tile Progress on the Ottoman Tulip

But what, you may be wondering, does this have to do with Leighton House? Well, in its collection there are quite a few tiles and plates and dishes that were described as Ottoman ceramics, or more particularly as Iznik pottery. And on many of them there were tulips remarkably similar to the one on “my” tile – that same rather elongated, narrow shape and the same sort of overlapping in the petals. I was intrigued, but unfortunately the museum does not allow photography, so I had to memorise them as best I could and make do with what images they have on their website to refresh my memory. With hindsight I should have asked them if I could trace one or two, or even just sketch them (because they may well not want visitors to handle the plates), but I didn’t think of that. Anyway, design-wise I’m happy with the one I’ve got – but following my visit to Leighton House I’ve renamed it from not-very-exciting Medieval Tulip to the more exotic-sounding Ottoman Tulip (Iznik Tulip would have sounded even more exotic, but is probably a bit too obscure).

And finally, a Special Offer smiley. After teaching workshops I usually have a few kits left, but because of their purpose they are a little different from the ones sold on my website. This year, in fact, I have some left that are not on the website at all (or at least not yet).

They are:

  • 1 Wildflower Garden freestyle card kit with the design transferred onto the fabric
  • 1 No Place Like Home (Little House) freestyle card kit with the design transferred onto the fabric
  • 3 Mug That Cheers appliqué embroidery card kits with the design transferred, the appliqué elements backed with Bondaweb and cut out, and one of the elements attached to the ground fabric (see picture below)

The Mug That Cheers appliqué embroidery kit

The appliqué kit will eventually be on the website for £10 including UK postage, but because of the above, and because the envelopes for the cards are missing, they will go for the same price as the other two, £7.50 including UK postage (postage to other destinations on request). If you would like one or more of these kits, email me at

How to pack a mug

Thank you to the many people who gave me feedback on the matter of packing my Mug That Cheers kit. On the whole, opinion was overwhelmingly in favour of a single, slightly larger bag. The main argument was that it was more convenient to have everything together, especially if the kit was to be kept for a while before stitching it, or if it was bought as a present. Several people indicated a concern that the envelope, if supplied separately, might get lost.

The contents of the kit, minus envelope

Very valid concerns, and ones I had considered myself. So surely the solution is simple: just get the next size grip seal bag and get on with it. There was just one slight problem with that solution. I didn’t like it.

In a way that shouldn’t really matter; after all, I’m not the one buying the kit! But I simply couldn’t reconcile myself to the idea of a baggy kit, with the instructions and everything else just rattling around in it like a child in a hand-me-down from a cousin two sizes larger.

And then there was another issue. A couple of people remarked that they would much prefer no plastic at all. Again, a very valid concern. The suggestion of making cotton bags for the kits was simply not feasible – too labour-intensive or, if bought in, too expensive for my scale of operations (especially if I wanted to make sure they were ethically made without sweatshop labour) – and paper envelopes or bags unfortunately have neither the strength nor the flexibility of the plastic grip seal bags.

But there was another option, and one which I already had in the house: the cardboard boxes I use for the goldwork kits. Because of the fragility of some of the goldwork materials, a squishy plastic bag is simply not a practical way of packing those kits. But they are not just sturdier than the plastic bags, they are also ever so slightly wider. Would they be wide enough to hold the awkward envelope?

Front of the boxed mug kit What's in the boxed mug kit Boxed mug kit, open

Yes they were smiley.

There are a few small points still to work out; for example, how to attach the kit picture to the front without ripples, whether to add tissue paper inside, and how to wrap the box so that it doesn’t exceed the Large Letter postal rate dimensions. And then there is the cost – the boxes are about ten times the price of the grip seal bags, and as they are heavier, postage will increase as well. Still, as people are becoming more and more environmentally conscious, selling the kits in a recyclable and reusable container may well be something that customers are willing to pay a little more for.

Who knows, in the near future all Mabel’s kits may come in those nifty little boxes!