How a variation becomes a new design

The twelve parts of Round in Circles were designed in pairs; to be, so to speak, a positive and a negative of the same shape. If in one design a central horizontal band was cut, then in its counterpart that central band would be solid, and the half-moon shapes above and below it would be cut. One of these pairs (Rounds Six and Twelve) was designed around a diagonal cross, cut in Round Six and solid in Round Twelve.

Rounds Six and Twelve

When charting the diagonal cross, I had several options; two of them looked almost identical on paper, but because one of them used floating Kloster blocks (which are purely decorative and are not needed to keep the fabric from fraying) and double-sided Kloster blocks (cut on both sides) whereas the other used only standard Kloster blocks, they had a different distribution of cut holes (shown by the pink and blue dots in the diagrams below).

Two diagonal crosses

I stitched both of them, with their whipped backstitch circle but without any surface stitches or cutting, and eventually decided on the one which included non-standard Kloster blocks – both because that shape was the exact negative of its counterpart, unlike the one using standard Kloster blocks only, and because it meant an extra technique to include in the Stitch-Along. The unused model went to the bottom of the pile, to be used at some later date for something or other.

Then a couple of weeks ago I was looking for a small Hardanger project, and remembered the discarded diagonal cross. I didn’t want to use the same surface stitches, and the filling stitches used in the SAL version wouldn’t work because of the difference in cut holes, so I copied it into my charting program and played around a bit. Because of the triangular nature of the solid parts I thought of a heart-shaped stitch of some sort; after dismissing a few other possibilities I chose Rhodes hearts. I liked the French knots surrounding the spider’s web stitches in the SAL version (well, I wouldn’t have designed them like that if I didn’t smiley) but wanted to get that dotted effect in some other way. Sequins! and if I worked the hearts in one colour, and attached the sequins with another, I could then use both colours in the filling stitch.

But what filling stitch? Being rather fond of nutmeg and mace stitch at the moment, I charted the design with a two-coloured version of those for the time being. Then I started stitching the surface stitches, and doing the cutting.

As I was poking in the cut ends Lexi decided that my lap was the perfect place for a cat to be, and in such a position that going on to the bars wasn’t really an option. I did some sketching instead as I suddenly thought this might make rather a nice pair if I could come up with a matching design. Not the positive/negative match, I wanted to keep that as a Round In Circles thing, so what else? Well, a diagonal cross might be rather nicely matched with an upright cross. Both with hearts and sequins, fillings to be decided on later.

“Later” turned out to be around midnight as I was in bed, falling asleep. Fortunately there is always a notebook by my bed, and even more fortunately my scribbles still made sense to me the next morning! A bit more experimenting is needed, but suspended sequins are likely to feature, and a two-coloured version of square filets.

Sketches for new designs

As for the scribble at the top of the printed page, that was to remind me to check Shakespeare’s Richard III for the exact quotation which I seemed to remember included something like “even so thy breast encompasseth my poor heart”, in the hope that it might furnish me with a catchy name for the design. It didn’t. The two circles with Rhodes hearts and blingy sequins will instead be known as Heart’s Treasure.