Last week I wrote about a significant set of four RSN Stitch Guides and ideas for the Canvaswork module of the RSN Certificate and this means, doesn’t it, surely it must, that I’ve decided to do The Whole Thing after all. As you may remember I set out on this course with the clear intention of doing the Jacobean and Goldwork modules, and then stopping. Several people (including tutors, my very supportive husband and a fellow student) have since encouraged me to do the whole Certificate, and I’ve been keeping this in the back of my mind throughout the first module. The ideas are there – my canvas scribbles and pictures-for-inspiration are fairly obvious indications of that. And yet.
Having stitched for quite a few hours now using the trestle-and-slate-frame combination, I think I can confidently say it is simply not my cup of tea. I find the stitching position uncomfortable and the nearly horizontal orientation of the frame (even after putting the rear of the trestles up another notch to give it extra tilt) puts a strain on my eyes – with my ordinary glasses I can see the further end of the embroidery, but I can’t see the details nearby, while with my stitching glasses I can’t see far enough without things going blurry. When stitching the tree trunk, which covers quite a bit of the height of the design, neither of my glasses allowed me to work an entire row of chain stitch in focus while keeping a comfortable (and healthy!) posture.
But the slate frame is obligatory when doing the Certificate (and the other “big” RSN courses like the Diploma and the Future Tutor programme), and I don’t think it is negotiable. Not for the Canvaswork and Goldwork modules, with A5-sized projects, and not even for the Silk Shading module, where the brief specifies that “overall the piece should be no bigger than 8×8 centimeters (3in x 3in)”. Leaving aside for the moment that 3 inches is even less than 8 centimetres, does this really need a slate frame, even my “small” 18-inch one? I fear that it probably does if it’s part of the Certificate, and that no amount of coin-bouncing off my laced Millennium frame will convince them otherwise. But just possibly the Bling SAL Tree may sneak into my frame bag, come to my February class and show off its drum-taut tension, and then who knows?
PS Depending on the outcome, would anyone be interested in taking over a hardly-used slate frame in a year or so? With trestles?