Life’s too short to work a moss stitch – or is it?

The craft room was never meant to be a room to spend a lot of time in, despite the desk – when putting it together I thought of it more as a handy way of storing all my stitching stuff in one place. But a few days ago I went in there and sat at the desk, with a lovely view of the snowdrops in the garden, bird song coming in through the open window and the early morning light streaming in, and as I set about putting a kit together and mounting a small goldwork project in a card I realised that everything I needed for these two tasks was in the same room as I, mostly within reach from where I was sitting. Bliss!

So I may be spending more time there than I thought, and one of the things to do there is try out stitches on my doodle cloths. When I went to my stitching group last Monday, we were told a lady had donated two boxes of stitching supplies to the Guildhouse (the local adult education centre where we meet), and would our group like to have a rummage; anything we didn’t want would then be offered to the beading class. Well! Who would say no to the chance of rummaging through two boxes of stitching books, fabrics, ribbons, beads, scissors and other bits and bobs? This is what I eventually went home with: beads, two pendants for mounting embroidery in, and The New Anchor Book of Crewel Stitches and Patterns.

My share of the Guildhouse booty

One of the stitches mentioned in the book is moss stitch, and from its diagram it looks very attractive, and very symmetrical. I should have been warned by the fact that the ones in the accompanying photograph of an actual embroidery were rather less clearly defined…

The diagram for moss stitch

After having produced a number of less than uniform moss stitches I tried to work out what the problem was. Well, one of them was the fact that as I pulled the working thread through on the last step, it invariably got itself knotted, and so it wouldn’t pull snugly around the base cross. Looking at the diagram again, I realised I was following it almost exactly, but not quite: I didn’t anchor the thread loop with my finger! Perhaps that was where I went wrong. Tried it again, with the loop duly anchored while pulling through. A bit better, but still nothing like as tidy as the diagram. Eventually I found that tightening the working thread around the needle while it was still inserted under the cross, and only then pulling the needle through, produced a reasonably neat result.

A row of uneven moss stitches Pulling the working thread tight against the needle A completed moss stitch

So is moss stitch like a stuffed mushroom – something that life is too short for? It rather depends on how attractive you think the stitch is, and how much effort you are willing to put into what will mostly be used as a scatter stitch. Once you get into a routine it should speed up the process, and having the hoop on a stand so that you can use both hands (which I didn’t) would certainly help. But whether I use it a lot or very rarely, it’s a new addition to my repertoire, which is always welcome.

The completion of a craft room, part 3

At the end of the last FoF we left the new craft room filled with all its components parts – desk, bookcases, storage towers, boxes, fabrics, threads, tools – and, frankly, in a mess. Time to get organised! One thing that got added which wasn’t absolutely necessary was a new lampshade; the old one didn’t fit the light fitting very well and wobbled precariously, but I suppose strictly speaking it was still serviceable. Nevertheless, a shiny new craft room deserves a bright new lampshade (with a daylight bulb), and I couldn’t resist this cheerful red one with poppies on the inside which shine through to the outside when the light is on – magic! The desk has a craft light, my lightbox, felt boards and other odds and ends; the album was a Christmas gift which I was about to fill with some small projects that had so far been languishing in a box. The cat was allowed in one last time to see what all the fuss was about, before being banished forever.

A bright new lampshade The poppy lamp illuminates the newly organised room, with desk and cat

Behind the desk and chair are the two rainbow storage towers, holding most of my fabrics, some finishing materials, and my stock of scissors, squissors and coasters. The coffee table has the Millennium frame and lapstand plus my doodle cloths and anything in the process of being kitted up, as well as a useful lap tray. Underneath are more storage boxes (large pieces of fabric plus wadding), and next to it a CD tower holding my audiobooks. Not really craft-related, but they used to live underneath that coffee table and I needed the space there, and the CD tower tucks in nicely behind the door when it opens. The bookcases hold all my thread boxes, embroidery books, and kits, and on top sit various decorative thread boxes, one with a tapestry cover, the others with some of my embroidery.

Storage towers, coffee table with boxes underneath, and CD tower Filled bookcases with decorative storage boxes on top

The left-hand bookcase holds threads which ideally should be shielded from the light, as the boxes in which they are stored are transparent or at least translucent. The few boxes in the right-hand bookcase hold mostly beads, gems and shisha materials which are not light-sensitive, so a solution was needed for the one bookcase only. “Needed” might be putting it rather strongly – when I’m not in there the curtains are kept closed, and the bookcases are on a north-facing wall, so the amount of light getting to the boxes is probably negligible; still, I knew I’d feel more at ease with some sort of curtain or cloth in place. Now I can’t really work a sewing machine, so a ready-hemmed piece of material would be ideal. Did we perhaps have some old curtains somewhere in the attic? Well, yes, but they were rather heavy and unlikely to be the right size. Then I remembered a couple of sarongs I had been given a few years back by a friend from Kenya. Could one of those… yes it could. A bit of engineering wizardry by Mr Mabel and my threads were protected!

The sarong in place The thread boxes accessible but protected

And so here, finally, is the craft room – complete, organised, and in use.

The craft room in action

Now all it needs is a small conservatory smiley.