A special offer for all who love needlework (and who will be reasonably near London in October): we have three complimentary tickets to the Knitting & Stitching Show at Alexandra Palace to give away!
Each ticket admits one adult on one day, and they are valid on Wednesday 11th, Friday 13th or Sunday 15th October all day, or Thursday 12th October evening only.
To be in with a chance of winning one, please comment to say what you think you would enjoy most at the Knitting & Stitching Show. The competition closes at midnight on Wednesday 12th July, and I will announce the winners on Thursday.
And if you’re not one of the lucky winners? Well, this year the K&S organisers have kindly given the tutors a discount code to share with their customers. Instead of paying £14.50 for an advance adult ticket, you pay just £12.00 (excluding any booking fees).
So if you have ever, since the start of Mabel’s Fancies on Easter Monday 2011, been a customer (or would like to become one ) drop me an email and I will send you the discount code!
Some time ago I bought some large storage boxes with clip fastenings; they are square and flattish and hold the finished projects that I haven’t quite got round to “finishing” – you know, as cushions or bags or box lids or framed pictures or baby blankets or whatever. I also got a rectangular box with compartments, rather deeper than my usual boxes, for my goldwork materials. That too has a clip fastening. They’re nice and secure, which is not so important in the case of the finished pieces of stitching, but essential when they are filled with beads or spangles or bits of gold wire. One drawback is that they are not the cheapest storage options around.
So when I needed a small project box for my Jacobean goldwork flower, and I found that my usual project boxes wouldn’t do because the compartments were too shallow for the envelopes holding the gold threads and wires, I was delighted to find that the smallest of a set of three clip boxes we’d bought for sandwiches and the like was actually just the right size for a smallish goldwork project!
But what about my Tree of Life? It will use some goldwork materials and, in one version, crewel wool. Which is not wound on bobbins and like the goldwork bits and bobs won’t fit into a standard project box. Could I perhaps find a slightly larger sandwich box? I could and I did, and it was even more useful than I had imagined because some genius had decided to fit it with two small compartments along one side, presumably for some cherry tomatoes or a small tub of salad dressing.
I wonder if the designer ever envisaged his lunch box looking like this?
I keep most of my goldwork materials in small glassine envelopes – little greaseproof paper bags which are translucent so you get an inkling of what’s inside (and how pretty it looks). The envelopes are in turn kept in a storage box, where they are stacked in shallow rows: a stack of different pearl purls, a stack of spangles, a stack of milliary wires and so on.
It works very well, and I can lay my hands on whatever I want with ease. Generally. Recently, however, I could not find an envelope of gold Elizabethan twist, and one of silver smooth passing. I knew I had them (I keep a record of all my stash), I could visualise them, but although I went through every compartment of the storage box half a dozen times, they would not turn up.
This puzzled me especially because I remembered quite clearly that the Elizabethan twist was a relatively large roll of metallic thread which had only just fitted inside the envelope. Surely that couldn’t hide anywhere so successfully? The solution to the mystery turned out to be twofold: a) bad memory – my stock of Elizabethan twist wasn’t nearly as big as I though, it was the gold smooth passing (which was not missing) that rather stretched its envelope, and b) an annoying tendency for glassine envelopes to form close bonds with each other, especially when not very full. The gold twist and the silver passing were both where they were meant to be, just hiding inside the flaps of their neighbours…
So now that I had all threads and wires present and correct I could finally do what I had actually got the storage box out for: choosing the golds for the silk version of the Tree of Life. These will be used for the bird sitting on one of the leaves, for a small detail in the top leaf, and for or nué (a type of couching) on the final leaf. After some consideration I’ve chosen smooth passing, pearl purl and wire check, as well as some gold kid which isn’t shown here. I’m looking forward to showing you my golden bird and leaves!